HomeVaraha PuranaAdhyaya 2Shloka 13
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Varaha Purana 2.13: Adhyaya 2, Shloka 13

Cosmogony and the Ninefold Creation: Rudra’s Origin and the Prelude to the Sāvitrī–Veda Narrative

एवमुक्त्वा तिरोभावं गतोऽहं सोऽपि चिन्तयन् । आस्ते यावज्जगद्धात्री नाध्यगच्छत किञ्चन ॥ २.१३ ॥

Sanskrit recitationVaraha Purana 2.13

evam uktvā tirobhāvaṁ gato 'haṁ so 'pi cintayan | āste yāvaj jagaddhātrī nādhyagacchata kiñcana || 2.13 ||

Tendo assim falado, retirei-me e desapareci da vista; e ele também, absorto em reflexão, permaneceu ali. Enquanto perdurou Jagaddhātrī, a Sustentadora do mundo, não chegou a conclusão alguma.

evamthus
evam:
Sambandha (सम्बन्ध/Adverbial modifier)
TypeIndeclinable
Rootevam (अव्यय)
FormAvyaya; manner-adverb (प्रकारवाचक अव्यय)
uktvāhaving said
uktvā:
Kriya-viseshaṇa (क्रियाविशेषण/पूर्वकर्म)
TypeVerb
Rootvac (धातु) + ktvā (क्त्वा)
FormAbsolutive/Gerund (क्त्वान्त), from √vac ‘to say’; expresses prior action
tirobhāvamdisappearance; becoming invisible
tirobhāvam:
Karma (कर्म/Object)
TypeNoun
Roottirobhāva (प्रातिपदिक)
FormMasculine, Accusative (2nd/द्वितीया), Singular (एकवचन)
gataḥgone
gataḥ:
Karta (कर्ता/Subject)
TypeVerb
Rootgam (धातु) + kta (क्त)
FormPast passive participle (क्त), Masculine, Nominative (1st/प्रथमा), Singular; used predicatively
ahamI
aham:
Karta (कर्ता/Subject)
TypeNoun
Rootasmad (प्रातिपदिक/सर्वनाम)
FormPronoun, Nominative (1st/प्रथमा), Singular
saḥhe
saḥ:
Karta (कर्ता/Subject)
TypeNoun
Roottad (प्रातिपदिक/सर्वनाम)
FormPronoun, Masculine, Nominative (1st/प्रथमा), Singular
apialso
api:
Sambandha (सम्बन्ध/Particle)
TypeIndeclinable
Rootapi (अव्यय)
FormAvyaya; particle (निपात) meaning ‘also/even’
cintayanthinking
cintayan:
Karta (कर्ता/Subject)
TypeVerb
Rootcint (धातु) + śatṛ (शतृ)
FormPresent active participle (शतृ), Masculine, Nominative (1st/प्रथमा), Singular; contemporaneous action
āsteremains; sits
āste:
Kriya (क्रिया/Finite verb)
TypeVerb
Rootās (धातु)
FormLat (लट्, Present), 3rd person (प्रथमपुरुष), Singular (एकवचन), Parasmaipada
yāvatas long as; until
yāvat:
Sambandha (सम्बन्ध/Temporal marker)
TypeIndeclinable
Rootyāvat (अव्यय)
FormAvyaya; temporal conjunction/adverb (कालवाचक) ‘as long as/until’
jagaddhātrīthe sustainer of the world
jagaddhātrī:
Karta (कर्ता/Subject)
TypeNoun
Rootjagat + dhātrī (प्रातिपदिक)
FormFeminine, Nominative (1st/प्रथमा), Singular; षष्ठी-तत्पुरुष: jagataḥ dhātrī ‘supporter of the world’
nanot
na:
Sambandha (सम्बन्ध/Negation)
TypeIndeclinable
Rootna (अव्यय)
FormAvyaya; negation particle (निषेध निपात)
adhyagacchatafound; came to know; obtained
adhyagacchata:
Kriya (क्रिया/Finite verb)
TypeVerb
Rootadhi + gam (धातु)
FormLan (लङ्, Imperfect/Past), 3rd person (प्रथमपुरुष), Singular, Parasmaipada; with upasarga adhi-
kiñcanaanything
kiñcana:
Karma (कर्म/Object)
TypeNoun
Rootkiñcana (प्रातिपदिक/सर्वनाम)
FormIndefinite pronoun used as noun, Neuter, Accusative (2nd/द्वितीया), Singular; in negative context = ‘anything at all’

Varāha (default per dialogue framework; speaker not explicit in excerpt)

Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Varāha narrates his own ‘tirobhāva’ (withdrawal from sight) after instructing Brahmā; Bhū-devī is addressed as jagaddhātrī, implying her enduring presence while Brahmā contemplates."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"patient/enduring (‘jagaddhātrī’); witnessing the pause and uncertainty in secondary creation","key_question":"What happens when the Lord withdraws—how does Brahmā proceed, and what are the limits of reflection without divine guidance?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"‘Tirobhāva’ signals the divine hiddenness that tests the secondary creator; Brahmā’s inability to conclude underscores epistemic limits of intellect (manana) without revelation/grace—creation requires alignment with the Lord’s will.","yajna_varaha_imagery":"The pause resembles a ritual ‘antarāla’ where action halts until proper injunction/auspice is secured; contemplation without mantra/vidhi yields no siddhi.","vedantic_connection":"Echoes the theme that buddhi alone cannot reach the ultimate without īśvara-anugraha/śruti; supports a bhakti-epistemology within Purāṇic framework."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"epistemology/spiritual psychology","core_concept":"Reflection alone may stall; divine withdrawal reveals the need for guidance, grace, or proper method to reach decisive knowledge/action.","practical_application":"When practice becomes stagnant, seek right instruction (guru/śāstra) and re-align intention; accept periods of silence as part of maturation."}

Subject Matter: ["Cosmology","Ethics"]

Primary Rasa: śānta

Secondary Rasa: karuṇa

Type: cosmic/intermediate state

Related Themes: Varāha Purāṇa 2.2.12 (commission to create)

Visual Art Cues: {"scene_description":"Varāha/Viṣṇu fades into invisibility; Brahmā remains seated, thoughtful and perplexed, surrounded by cosmic waters/emptiness; Bhū-devī as ‘jagaddhātrī’ is suggested as a steady presence or as the world-to-be held in potential.","item_prompts":["fading divine silhouette (tirobhāva)","Brahmā in contemplation (chin-mudrā)","still cosmic backdrop","sense of time passing","subtle Earth-goddess motif (globe/lotus)"],"kerala_mural_prompt":"Kerala mural: dramatic negative space; Brahmā centered with contemplative expression; the Lord’s form partially veiled/transparent; subdued palette to convey silence.","tanjore_prompt":"Tanjore: Brahmā richly ornamented but set against a sparse background; the Lord’s presence indicated by a diminishing gold aura; emphasis on contrast between opulence and emptiness.","mysore_prompt":"Mysore: soft, introspective mood; delicate transparency effect for disappearance; fine detailing of Brahmā’s thoughtful posture.","pahari_prompt":"Pahari: minimal scene with strong storytelling—Brahmā alone in a vast field; small fading figure at edge; poetic emptiness and quiet color wash."}

Audio Atmosphere: {"recitation_mood":"quiet, introspective","suggested_raga":"Todi","pace":"slow","voice_tone":"soft, reflective"}

C
Classical Literature
V
Vaishnavism
P
Puranic Narrative
P
Philosophical Reflection

FAQs

It illustrates a common Purāṇic narrative technique: the authoritative speaker withdraws after instruction, while the interlocutor remains in contemplation, marking a transition in the dialogue and emphasizing reflective reception of teaching.

No specific geographic site is named in this verse; it functions primarily as a narrative and philosophical pause rather than a sacred-geography reference.

The verse foregrounds disciplined reflection: after receiving discourse, one remains in sustained contemplation, acknowledging that understanding may not arise immediately.

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