Nara-Narayana’s Tapas, Indra’s Temptation, and the Burning of Kama: The Origin of Ananga and the Shiva-Linga Episode
ततो नारायणो दृष्ट्वा आश्रमस्यानवद्यताम् समीक्ष्य च दिशः सर्वास्ततो ऽनङ्गमपश्यत
tato nārāyaṇo dṛṣṭvā āśramasyānavadyatām samīkṣya ca diśaḥ sarvāstato 'naṅgamapaśyata
Então Nārāyaṇa, tendo visto a excelência irrepreensível do eremitério e tendo observado todas as direções, avistou em seguida Ananga (Kāma).
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Even in a ‘faultless’ sacred setting, desire (Kāma/Ananga) can appear; the implied lesson is vigilance and discernment—purity of place supports practice, but self-mastery remains essential.
This is narrative/ethical exemplification attached to tīrtha-māhātmya and tapas themes; it aligns most closely with dharma-oriented instruction and character-episodes (aṅga-kathā) rather than genealogical or cosmogenic lakṣaṇas.
‘Ananga’ (bodiless desire) signifies subtle temptation: not always gross or visible, it can arise even amid sanctity. Nārāyaṇa’s ‘surveying the directions’ suggests comprehensive awareness before confronting or understanding desire’s entry.