एतैर्मुख्यतमैः सृप्तैः फूरा श्राद्धं विनिर्मितम् । स्वयं पितामहेनैव ततो देवा विनिर्मिताः
etairmukhyatamaiḥ sṛptaiḥ phūrā śrāddhaṃ vinirmitam | svayaṃ pitāmahenaiva tato devā vinirmitāḥ
Tendo sido devidamente satisfeitos estes principais, estabeleceu-se a forma completa do Śrāddha. Então, pelo próprio Pitāmaha (Brahmā), foram trazidos à existência os demais deuses.
Narrator in Nāgarakhaṇḍa (contextual: Śrāddha-kalpa exposition)
Scene: Brahmā presides as the archetypal lawgiver; the rite of Śrāddha appears as a structured mandala—first Viśvedevāḥ gratified, then other devas manifest in tiers, indicating ritual completeness.
Śrāddha is portrayed as a primordial, divinely instituted rite—its authority is cosmic, not merely social.
This cosmogonic framing appears within the Hāṭakeśvara-kṣetra Māhātmya section, linking place-based devotion with ancestral duty.
The rite is to be performed by first gratifying the foremost divine recipients (contextually the Viśvedevās), completing Śrāddha in its proper form.
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