कन्या हस्तग्रहं तत्र याऽप्नोति पतिना सह । सा स्यात्पुत्रवती साध्वी सुखसौभाग्यसंयुता
kanyā hastagrahaṃ tatra yā'pnoti patinā saha | sā syātputravatī sādhvī sukhasaubhāgyasaṃyutā
A donzela que, naquele lugar sagrado, obtém com o esposo o rito da tomada da mão, torna-se abençoada com filhos, firme na virtude, e dotada de felicidade e boa fortuna conjugal.
Unspecified in the snippet (within Sūta’s narration in Tīrthamāhātmya context)
Tirtha: Gāyatrī-tīrtha
Type: kund
Listener: Dvija audience addressed in the chapter’s discourse
Scene: A wedding scene at the tīrtha: bride and groom performing hastagrahaṇa near a sacred waterbody; a Devī shrine in the background; priests chanting; women holding lamps; auspicious items (mangala-kalasha, turmeric, flowers).
Dharma performed at a sanctified tīrtha is said to mature into both worldly well-being and moral excellence.
The verse points to ‘tatra’—the praised locale in this section: Gāyatrī-tīrtha within the Hāṭakeśvara-kṣetra māhātmya of the Nāgara Khaṇḍa.
Hastagraha—the formal hand-taking rite of marriage—performed at the tīrtha.
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