यतिभिश्च तथा ग्रामैर्वर्णग्रामैः पृथ ग्विधैः । ततं च विततं चैव घनं सुषिरमेव च
yatibhiśca tathā grāmairvarṇagrāmaiḥ pṛtha gvidhaiḥ | tataṃ ca vitataṃ caiva ghanaṃ suṣirameva ca
Com batidas medidas (yati) e com modos musicais (grāma), com variadas combinações de notas e sílabas; e com instrumentos—de cordas (tata), de membrana esticada (vitata), sólidos (ghana) e de sopro (suṣira)—sua execução tornou-se plena.
Sūta
Tirtha: Kedāradeva
Type: kshetra
Scene: A devotional performance with voice and a full ensemble: stringed instruments, drums, cymbals, and flutes; patterned rhythms and syllabic groupings animate the temple courtyard.
The Purāṇa sanctifies refined human culture—music and rhythm—when dedicated to God at a tīrtha.
The musical offering is situated in the Kedāra devotional setting of this chapter.
No explicit prescription; it elaborates the devotional offering as musically complete (notes, modes, and instruments).