Shiva Purana — Vayaviya Samhita, Shloka 32
दक्षस्य रुद्रनिन्दा-निमित्तकथनम् / The Cause of Dakṣa’s Censure of Rudra
प्रास्थानिको महानादः पटहः समताड्यत । ततो मधुरवाद्यानि सह तालोद्यतैस्स्वनैः
prāsthāniko mahānādaḥ paṭahaḥ samatāḍyata | tato madhuravādyāni saha tālodyataissvanaiḥ
No momento da partida, foi percutido o grande tambor de som retumbante. Depois, ressoaram instrumentos musicais suaves, junto com o tilintar dos címbalos erguidos e tocados em compasso.
Suta Goswami
Tattva Level: pati
Shiva Form: Mahādeva
Sthala Purana: Not a Jyotirliṅga passage; it describes the formal commencement of a divine departure/procession marked by paṭaha (kettledrum), melodic instruments, and tāla (cymbals).
Significance: Models temple utsava culture: maṅgala-vādya accompanying deity processions; inspires devotees to participate in communal worship and kīrtana-like service.
FAQs
It portrays an auspicious commencement marked by sacred sound—drums and cymbals—which, in Shaiva practice, supports bhakti by gathering the mind and community toward Shiva-centered action.
Such musical accompaniment commonly belongs to Saguna Shiva worship—processions, pūjā, and celebratory rites—where sound (nāda) becomes an offering (upacāra) to the Linga and the manifest Lord.
Use disciplined sacred sound: accompany worship with rhythmic tāla and devotional singing, or internalize nāda through mantra-japa (e.g., the Panchākṣarī “Om Namaḥ Śivāya”) as a steady, reverent cadence.