Soma Pavamāna’s self-purification and forward rush through the woollen filter, becoming an effective oblation that draws Indra and grants ‘svar’ (heaven/light).
परि कोशं मधुश्चुतं सोमः पुनानो अर्षति अभि वाणीरृषीणां सप्ता नूषत
pari kośaṃ madhuścutaṃ somaḥ punāno arṣati abhi vāṇīrṛṣīṇāṃ saptā nūṣata
pari kośaṃ madhuścutaṃ somaḥ punānaḥ arṣati abhi vāṇīr ṛṣīṇāṃ sapta3 nūṣata
Em torno do vaso que verte mel, o Soma, ao purificar-se, corre; às vozes dos ṛṣi —sete vezes— ele se dirige, como eles fizeram ressoar (o louvor).
pari | kośam | madhu-ścutam | somaḥ | punānaḥ | arṣati | abhi | vāṇīḥ | ṛṣīṇām | sapta | anu-ūṣata
Pavamāna-sāman (generic; specific tune not stated in input)
{ "prastava": "o vā | hā (typical stobha-led opening; exact gāna not supplied)", "udgitha": "pari kośaṃ madhuścutaṃ somaḥ punāno arṣati", "pratihara": "hā u ho (responsive stobhas; not specified)", "upadrava": "abhi vāṇīr ṛṣīṇāṃ sapta nūṣata", "nidhana": "hāu / oṃ (closing stobha; varies)", "structure_notes": "Key semantic pivot often placed at udgītha→upadrava boundary: from ‘flowing around vessel’ to ‘going to voices sevenfold’.", "singer_assignments": "Standard Kauthuma trio: Prastotṛ (prastāva), Udgātṛ (udgītha+upadrava), Pratihartṛ (pratihāra), all (nidhana)." }
{ "gloss_summary": "kośa is the ritual receptacle used in straining/collection; vāṇīḥ are stotras (sung praises) rather than ordinary speech; sapta is explained in ritual terms (e.g., seven metres/ṛṣis/tones) as a completeness marker.", "ritual_interpretation": "Soma’s purified flow around the vessel is coordinated with the sung stotra of the udgātṛs; the chant makes Soma fit and directed.", "theological_insight": "Sound (vāṇī as stotra) is the channel through which Soma’s sweetness becomes efficacious; sevenfold order indicates cosmic alignment.", "etymology_highlights": "kośa (container); madhu (sweetness/nectar); vāṇī (speech as sacred utterance)." }