Narada Purana — Purva Bhaga, Shloka 59
Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
चतुष्टयमथार्णानां रसस्तदनु च स्थिरा । हृदंबुयुक् क्ष्मया दाहः सचरः स्याज्जवी च हृत् ॥ ५९ ॥
catuṣṭayamathārṇānāṃ rasastadanu ca sthirā | hṛdaṃbuyuk kṣmayā dāhaḥ sacaraḥ syājjavī ca hṛt || 59 ||
Em seguida, o conjunto de quatro (letras) pertence aos oceanos; depois vem a letra “ra”, seguida de “sthi” e “rā”. Unida a “hṛd” e “ambu”, e acrescentando “kṣmā”, produz “dāha”; com “cara” torna-se “sacara”; e com “javī” torna-se “hṛt”.
Sanatkumara (in instruction to Narada, Vedanga-style technical recital)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
FAQs
It presents a Vedanga-style, sutra-like mapping of syllables and combinations, emphasizing that mantra-knowledge depends on precise phonetics and structured recitation—an essential foundation for effective dharma and ritual practice.
Indirectly: by teaching exact sound-forms and combinations, it supports correct mantra pronunciation and transmission—key supports for Vishnu-bhakti practices where devotion is expressed through accurately recited names and mantras.
Shiksha and Vyakarana-type instruction: a technical enumeration of syllables/letters and their combinations, reflecting how sound-units are constructed and applied in mantra and ritual recitation.