Bhuvaneśī (Nidrā-Śakti) Mantra-vidhi, Nyāsa–Āvaraṇa Worship, Padma-homa Prayogas, and the Opening of Śrī-Mahālakṣmī Upāsanā
वायुकोणे परश्वक्षमाला भयवरान्विताम् । यजेत्सरस्वतीमच्छां रुद्रं तादृशलक्षणम् ॥ २७ ॥
vāyukoṇe paraśvakṣamālā bhayavarānvitām | yajetsarasvatīmacchāṃ rudraṃ tādṛśalakṣaṇam || 27 ||
No canto de Vāyu (noroeste), deve-se venerar a pura Sarasvatī, portando machado e rosário, exibindo os gestos de destemor e de concessão de dádivas; e, do mesmo modo, Rudra com os mesmos sinais distintivos.
Narada (instructional narration within a technical/ritual section to the Sanatkumara tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It links sacred space (directional placement) with inner purity: Sarasvatī as pure knowledge and Rudra as transformative power are installed in the Vāyu corner, indicating that right orientation and right symbols support clarity, protection, and auspicious results in worship.
Bhakti here is expressed through precise upāsanā—worship with correct forms, gestures, and placement—showing that devotion is strengthened when reverence is paired with scriptural accuracy in the deity’s iconography and ritual arrangement.
It reflects applied ritual science and temple/altar protocol (a Vāstu- and kalpa-style concern): directional assignment (vāyukoṇa), iconographic attributes (paraśu, akṣamālā), and mudrās (abhaya, vara) used for correct installation and worship.