The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
शिखिपिच्छलसच्चूडा स्वर्णचंपकभूषिता । कुंकुमालक्तकस्तूरीमंडिता चापराजिता ॥ १७८ ॥
śikhipicchalasaccūḍā svarṇacaṃpakabhūṣitā | kuṃkumālaktakastūrīmaṃḍitā cāparājitā || 178 ||
Seus cabelos eram ornados com um delicado penacho de penas de pavão; ela se enfeitava com adornos de campaka dourada; e era embelezada por kuṅkuma, laca vermelha e almíscar—sempre invicta e resplandecente.
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shringara
The verse functions as a dhyāna-style description: by contemplating the deity’s auspicious ornaments and purity-symbols (gold, campaka, kuṃkuma, kastūrī), the practitioner stabilizes devotion and focuses the mind for ritual or recitation.
Bhakti here is expressed through reverent visualization and praise (stuti/dhyāna): describing the deity’s splendor is a way to remember (smaraṇa) and adore (pūjana-bhāva) the divine form, deepening single-pointed attention.
It reflects ritual-technical language used in worship—materials and adornments (dravya, anulepana like kuṃkuma and kastūrī, decorative bhūṣaṇa), supporting correct pūjā procedure and visualization conventions.