The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
कोटिपूर्णेन्दुवर्णं च सुमुखं त्र् यक्षिवीक्षणम् । पीतवस्त्रोरुभूषाढ्यं नृसिहं शान्तविग्रहम् । चक्रशङ्खाभयवरान्दधतं करपल्लवैः ॥ ७० ॥
koṭipūrṇenduvarṇaṃ ca sumukhaṃ tr yakṣivīkṣaṇam | pītavastrorubhūṣāḍhyaṃ nṛsihaṃ śāntavigraham | cakraśaṅkhābhayavarāndadhataṃ karapallavaiḥ || 70 ||
Medita no Senhor Narasiṃha: de compleição como um crore de luas cheias, de belo semblante e olhar de três olhos; vestido de amarelo e ricamente ornado; sereno em sua forma, e sustentando com mãos tenras como pétalas de lótus o disco, a concha, o gesto de destemor e o gesto que concede dádivas.
Narada (teaching a dhyāna/visualization of Narasiṃha within the instructional flow)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It gives a precise dhyāna-lakṣaṇa (meditative iconography) of Narasiṃha—fixing the mind on his luminous, serene form and divine attributes so devotion becomes steady and fear is pacified.
Bhakti is expressed through contemplative remembrance (smaraṇa/dhyāna): visualizing the Lord’s beauty, peace, and protecting gestures (abhaya) deepens surrender and trust in Vishnu as Narasiṃha.
It reflects applied śāstra-prayoga—using standardized dhyāna descriptors (form, color, weapons, mudrās) for correct ritual/meditation practice, aligning iconographic precision with mantra-upāsanā.