Adhyaya 91 — The Gods’ Hymn to Kātyāyanī and the Goddess’ Prophecy of Future Manifestations
नन्दगोपगृहे जाता यशोदागर्भसम्भवा ।
ततस्तौ नाशयिष्यामि विन्ध्याचलनिवासिनी ॥
nandagopagṛhe jātā yaśodāgarbhasambhavā /
tatas tau nāśayiṣyāmi vindhyācalanivāsinī
Nascida na casa de Nanda, o vaqueiro, surgida do ventre de Yaśodā; então, habitando na montanha Vindhya, destruirei aqueles dois (Śumbha e Niśumbha).
The Divine enters ordinary households and social settings, showing that sacred power is not confined to heaven. The Vindhya residence emphasizes localized, accessible forms of the Goddess for devotees.
Still within Manvantara-linked narrative prophecy (time-cycles) and Upākhyāna (episode continuation). It is not Vaṃśa genealogy per se, but references well-known persons (Nanda, Yaśodā) as narrative anchors.
‘Birth in Nanda’s house’ symbolizes the descent of śakti into the ‘cowherd’ (pastoral, sattvic) heart; ‘Vindhya’ can symbolize the stable ‘mountain’ of inner resolve where destructive tendencies are overcome.