Previous Verse
Next Verse

Shloka 72

Kubera’s Fivefold Nīti and Protection of the Pāṇḍavas (वैश्रवणोपदेशः)

विमलस्फाटिकाभानि पाण्डुरच्छदनैर्दधिजै: । कलहंसैरुपेतानि सारसाभिरुतानि च,पाण्डवोंने पर्वतीय शिखरोंपर बहुत-से ऐसे सरोवर देखे, जो निर्मल स्फटिकमणिके समान सुशोभित थे। उनमें सफेद पाँखवाले पक्षी कलहंस आदि विचरते तथा सारस कलरव करते थे। कमल और उत्पल-पुष्पोंसे संयुक्त उन सरोवरोंमें सुखद एवं शीतल जल भरा था

vaiśampāyana uvāca | vimalasphāṭikābhāni pāṇḍuracchadanair dadhijaiḥ | kalahamsair upetāni sārasābhir utāni ca ||

Disse Vaiśampāyana: Os Pāṇḍavas viram muitos lagos no alto das montanhas, cintilando como cristal impecável. Eram frequentados por aves de asas brancas, como o kalahamsa, e ressoavam com os chamados das gruas sārasa. Cheios de água fresca e agradável, adornados por lótus e nenúfares azuis, esses espelhos serenos ofereciam um momento de calma em meio ao árduo errar—imagem de pureza e contenção que espelha a resistência disciplinada dos heróis exilados.

{'vaiśampāyana uvāca''Vaiśampāyana said', 'vimala': 'spotless, pure, clear', 'sphāṭika': 'crystal (rock-crystal)
{'vaiśampāyana uvāca':
also crystal-like clarity', 'ābhāni/ābha'"splendour, appearance, lustre
also crystal-like clarity', 'ābhāni/ābha':
'having the look of'", 'pāṇḍura''white, pale', 'acchadana': 'covering, plumage/feathering (contextually: white-winged/white-feathered)', 'kalahamsa': 'a kind of swan/goose
'having the look of'", 'pāṇḍura':
a water-bird noted in poetry', 'upeta''attended by, accompanied, frequented', 'sārasa': 'crane (often the pair-bonded crane in Sanskrit literature)', 'utāni ca': 'and also (together with)', 'sarovara (implied by context)': 'lake, pond', 'parvatīya (implied by context)': 'mountainous, of the mountains', 'kamala/utpala (from the given Hindi gloss)': 'lotus / blue water-lily'}
a water-bird noted in poetry', 'upeta':

वैशम्पायन उवाच

V
Vaiśampāyana
P
Pāṇḍavas
M
mountain peaks
L
lakes (sarovaras)
K
kalahamsa (water-birds)
S
sārasa (cranes)

Educational Q&A

The verse foregrounds śauca (purity/clarity) and inner steadiness through an image of crystal-clear mountain lakes. In the exile narrative, such serene natural scenes function as ethical counterpoints to turmoil: the disciplined traveler learns to preserve calm, restraint, and clarity even while facing hardship.

As narrated by Vaiśampāyana, the Pāṇḍavas, during their forest exile, come upon many lakes on mountain heights. These waters shine like crystal and are animated by white-winged water-birds and the calls of cranes, suggesting a peaceful resting-place within their journey.