Shloka 10

भुवनकोशविन्यासनिर्णयः (ज्योतिर्गति-वृष्टिचक्र-वर्णनम्)

Devanagari script

ईशान्यां पूर्वरात्रस्तु गतिरेषा च सर्वतः एवं पुष्करमध्ये तु यदा सर्पति वारिपः

Transliteration

īśānyāṃ pūrvarātrastu gatireṣā ca sarvataḥ evaṃ puṣkaramadhye tu yadā sarpati vāripaḥ

Translation

Na direção de Īśāna (nordeste), diz-se que o curso pertence à primeira vigília da noite; de fato, esse movimento é compreendido em toda parte. Assim, no meio de Puṣkara, quando as águas soberanas deslizam e seguem fluindo adiante, este é o padrão ordenado.

Word by Word

• ईशान्याम् (īśānyām): in the Īśāna direction (north‑east)

• पूर्वरात्रः (pūrvarātraḥ): the first part/watch of the night

• तु (tu): indeed/and

• गतिः (gatiḥ): course, movement, prescribed direction

• एषा (eṣā): this

• च (ca): and

• सर्वतः (sarvataḥ): everywhere, in all respects

• एवम् (evam): thus, in this manner

• पुष्करमध्ये (puṣkaramadhye): in the middle of Puṣkara (the sacred tīrtha)

• तु (tu): and/indeed

• यदा (yadā): when

• सर्पति (sarpati): creeps, glides, moves gently

• वारिपः (vāri-paḥ): lord of waters / the water-current (waters as a presiding power).

Speaker

Suta Goswami

Characters & Entities

• Shiva
• Ishana
• Pushkara

FAQs

What is the importance of this verse in the context of Linga worship?

It links Īśāna—Shiva’s north‑eastern quarter—with proper ritual timing (the first night-watch), implying that Linga-pūjā gains potency when aligned with dik (direction) and kāla (time) as ordained in the Purāṇic ritual order.

How does this verse describe the nature of Shiva (Shiva-tattva)?

By invoking Īśāna, it points to Shiva as Pati—the supreme regulator of cosmic order—whose presence is apprehended through sacred orientation and the lawful movement of tīrtha-waters, guiding the pashu (soul) toward purity and release from pāśa (bondage).

What ritualistic or Yogic practice is highlighted here?

Directional and time-based observance: selecting the Īśāna quarter and the first watch of night for tīrtha-related rites (snāna, japa, and Linga-pūjā), reflecting the Shaiva discipline of harmonizing practice with dik–kāla.