तारक-कुमार-युद्धवर्णनम् / Description of the Battle between Tāraka and Kumāra
गीतवादित्रघोषेण ब्रह्मघोषेण भूयसा । तदोत्सवो महानासीत्कीर्तनं च विशेषतः
gītavāditraghoṣeṇa brahmaghoṣeṇa bhūyasā | tadotsavo mahānāsītkīrtanaṃ ca viśeṣataḥ
ਗੀਤਾਂ ਤੇ ਵਾਜਿਆਂ ਦੇ ਗੂੰਜਦੇ ਘੋਸ਼ ਨਾਲ, ਅਤੇ ਉਸ ਤੋਂ ਵੀ ਵੱਧ ਵੇਦ-ਪਾਠ ਦੇ ਬ੍ਰਹਮਘੋਸ਼ ਨਾਲ, ਉਹ ਉਤਸਵ ਅਤਿ ਮਹਾਨ ਹੋ ਗਿਆ; ਖ਼ਾਸ ਕਰਕੇ ਭਕਤੀਮਈ ਕੀਰਤਨ ਸਭ ਤੋਂ ਪ੍ਰਮੁੱਖ ਰਿਹਾ।
Suta Goswami
Tattva Level: pati
Shiva Form: Naṭarāja
It highlights sacred sound as a primary means of devotion: music, kīrtana, and Vedic recitation purify the mind and turn collective celebration into worship directed to Pati (Shiva), supporting the Shaiva Siddhanta emphasis on grace through disciplined devotion.
Such festivals typically center on Saguna worship—praise, kīrtana, and Vedic chants offered before the Śiva-liṅga—where sound (mantra/stotra) becomes an offering (upacāra) that steadies attention and invokes Shiva’s presence and blessing.
Regular kīrtana and mantra-japa (especially the Pañcākṣarī, “Om Namaḥ Śivāya”) accompanied by Vedic-style recitation; as a practical takeaway, make sound-worship a daily sādhana before the liṅga, ideally with a focused, sattvic mind.