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Agni Purana — Yoga & Brahma-vidya, Shloka 28

Explanation of the Final Dissolution (Ātyantika Laya) and the Arising of Hiraṇyagarbha — Subtle Body, Post-Death Transit, Rebirth, and Embodied Constituents

खशब्दात् क्षुद्रश्रोतांसि देहे श्रोत्रं विविक्तता श्वासोच्छासौ गतिर्वायोर्वक्रसंस्पर्शनं तथा

khaśabdāt kṣudraśrotāṃsi dehe śrotraṃ viviktatā śvāsocchāsau gatirvāyorvakrasaṃsparśanaṃ tathā

ਆਕਾਸ਼ ਅਤੇ ਸ਼ਬਦ ਤੋਂ ਦੇਹ ਵਿੱਚ ਸੁਖਮ ਸ੍ਰੋਤਾਂਸਿ (ਨਾਡੀਆਂ) ਉਤਪੰਨ ਹੁੰਦੇ ਹਨ; ਸਰੀਰ ਵਿੱਚ ਸ਼੍ਰਵਣ ਇੰਦ੍ਰੀ ਅਤੇ ਵਿਵਿਕਤਤਾ (ਭੇਦ-ਗੁਣ) ਪ੍ਰਤਿਸ਼ਠਿਤ ਹੁੰਦੀ ਹੈ। ਇਸੇ ਤਰ੍ਹਾਂ ਸ਼ਵਾਸ‑ਉੱਛਵਾਸ, ਵਾਯੂ ਦੀ ਗਤੀ ਅਤੇ ਵਕ੍ਰ‑ਸੰਸਪਰਸ਼ਨ (ਸਪਰਸ਼-ਗਿਆਨ) ਵੀ ਉਤਪੰਨ ਹੁੰਦੇ ਹਨ।

ख-शब्दात्from the sound in space
ख-शब्दात्:
अपादान (Apādāna/Ablative source)
TypeNoun
Rootख (प्रातिपदिक) + शब्द (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी-विभक्ति (5th/Ablative), एकवचन; तत्पुरुष (खस्य शब्दः)
क्षुद्र-श्रोतांसिminute channels
क्षुद्र-श्रोतांसि:
कर्म/कर्ता (Context-dependent; here as items produced/manifested)
TypeNoun
Rootक्षुद्र (प्रातिपदिक) + श्रोतस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति (Nom/Acc), बहुवचन; कर्मधारय (क्षुद्राणि श्रोतांसि)
देहेin the body
देहे:
अधिकरण (Adhikaraṇa/Locative)
TypeNoun
Rootदेह (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी-विभक्ति (7th/Locative), एकवचन
श्रोत्रम्the ear (organ of hearing)
श्रोत्रम्:
कर्म/कर्ता (Context-dependent; organ mentioned)
TypeNoun
Rootश्रोत्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति (Nom/Acc), एकवचन
विविक्तताdistinctness/separation
विविक्तता:
कर्ता (Karta/Subject)
TypeNoun
Rootविविक्तता (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन
श्वास-उच्छासौinhalation and exhalation
श्वास-उच्छासौ:
कर्ता (Karta/Subject)
TypeNoun
Rootश्वास (प्रातिपदिक) + उच्छास (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), द्विवचन; द्वन्द्व (श्वासश्च उच्छासश्च)
गतिःmovement
गतिः:
कर्ता (Karta/Subject)
TypeNoun
Rootगति (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन
वायोःof the wind (vāyu)
वायोः:
सम्बन्ध (षष्ठी/Genitive relation)
TypeNoun
Rootवायु (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति (6th/Genitive), एकवचन
वक्र-संस्पर्शनम्crooked/irregular contact
वक्र-संस्पर्शनम्:
कर्ता/कर्म (Context-dependent; item mentioned)
TypeNoun
Rootवक्र (प्रातिपदिक) + संस्पर्शन (प्रातिपदिक; √स्पृश् (धातु) ल्युट्-प्रत्यय)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति (Nom/Acc), एकवचन; कर्मधारय (वक्रं संस्पर्शनम्)
तथाand also/thus
तथा:
सम्बन्धसूचक (Discourse particle)
TypeIndeclinable
Rootतथा (अव्यय)
Formअव्यय; particle (and so/also)

Lord Agni

Vidya Category: {"primary_vidya":"Ayurveda","secondary_vidya":"Philosophy","practical_application":"Physiology of senses and prana: mapping subtle elements (ākāśa, śabda) to bodily channels and functions; useful for explaining sensory pathways and vāyu-based respiration in traditional diagnostics.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Ākāśa–Śabda Origins of Srotas and Śrotra; Vāyu Motion and Respiration","lookup_keywords":["akasha","shabda","srotas","shrotra","prana-vayu"],"quick_summary":"The verse associates ether/sound with subtle channels and the ear, and links vāyu’s movement with inhalation–exhalation and tactile contact—supporting a pancha-mahabhuta framework for physiology."}

Dosha: Vata

Concept: Pancha-mahabhuta-based derivation of bodily structures and functions (srotas, indriya, prana).

Application: Use element-function correspondences in teaching anatomy/physiology and in traditional reasoning about disease pathways (srotodushti, vāyu gati).

Khanda Section: Ayurveda (Sharira–Indriya-vijnana / Physiological anatomy of senses and vital functions)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A schematic human figure with subtle channels (srotas) drawn as fine lines; the ear highlighted; breath shown as two streams (inhalation/exhalation); vāyu depicted as flowing currents; ether/sound symbolized by space and vibration rings.","kerala_mural_prompt":"Kerala mural, stylized human silhouette with decorative channel-lines, highlighted ear with sound-wave motifs, prana currents as flowing ribbons, cosmic ākāśa background with concentric vibration circles, traditional palette and ornamentation.","tanjore_prompt":"Tanjore painting, gold-embossed aura representing ākāśa, ear highlighted with gold sound-rings, prana streams in red/blue, ornate frame; semi-iconic instructional composition.","mysore_prompt":"Mysore painting, clean didactic diagram aesthetic: labeled srotas network, ear (śrotra) emphasized, arrows for śvāsa–ucchvāsa, vāyu gati shown as curved vectors; soft colors and precise lines.","mughal_miniature_prompt":"Mughal miniature, physician-scholar presenting a folio diagram of the human body with channels and breath arrows, refined linework, subtle shading, studio setting with books and instruments, detailed border."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Hamsadhwani","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: खशब्दात् = ख-शब्दात्; क्षुद्रश्रोतांसि = क्षुद्र-श्रोतांसि; श्वासोच्छासौ = श्वास-उच्छासौ; गतिर्वायोर्वक्रसंस्पर्शनं = गतिः + वायोः + वक्र-संस्पर्शनम्

Related Themes: Agni Purana Ayurveda sections on bhuta–indriya relations and srotas

Ā
Ākāśa (Kha)
Ś
Śabda (Sound)
S
Srotas
Ś
Śrotra (Ear)
V
Vāyu
Ś
Śvāsa–Ucchvāsa

FAQs

It gives Ayurvedic–Sāṅkhya style physiology: how subtle elements (ether/sound) relate to bodily channels (srotas), the ear (hearing), and functions like respiration and vāyu movement.

It shifts from narrative religion into technical body-science, summarizing elemental causation, sense-organ theory, and prāṇic function—showing the Purana’s coverage of classical Indian anatomy and metaphysics.

By linking senses and prāṇa to subtle elements, it supports disciplined awareness of breath and sense-restraint (indriya-nigraha), traditionally viewed as purifying and supportive of sādhana and dharmic living.