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Agni Purana — Sahitya-shastra, Shloka 24

Explanation of Abhinaya and Related Topics (अभिनयादिनिरूपणम्) — Agni Purana, Chapter 341

अव्युत्पन्नोक्तिरखिलैर् अर्भकोक्त्योपलक्ष्यते तेनार्भकोक्तिश्छाया तन्मात्रोक्तिमनुकुर्वती

avyutpannoktirakhilair arbhakoktyopalakṣyate tenārbhakoktiśchāyā tanmātroktimanukurvatī

ਅਣਸਿੱਖੀ ਜਾਂ ਅਸੰਸਕ੍ਰਿਤ ਹਰ ਕਿਸਮ ਦੀ ਬੋਲੀ ‘ਅਰਭਕੋਕਤੀ’ (ਬੱਚੇ ਵਰਗੀ ਉਕਤੀ) ਵਜੋਂ ਮੰਨੀ ਜਾਂਦੀ ਹੈ; ਇਸ ਲਈ ‘ਅਰਭਕੋਕਤੀ’ ਨਾਮ ਦੀ ਕਾਵਿ-ਛਾਇਆ ਉਹ ਹੈ ਜੋ ਕੇਵਲ ਉਸੇ ਤਰ੍ਹਾਂ ਦੀ ਬੋਲੀ ਦੀ ਨਕਲ ਕਰਦੀ ਹੈ।

अव्युत्पन्न-उक्तिःan unrefined/uncultivated utterance
अव्युत्पन्न-उक्तिः:
Karta (कर्ता/Subject)
TypeNoun
Rootअव्युत्पन्न (कृदन्त/प्रातिपदिक) + उक्ति (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st case/प्रथमा), एकवचन; कर्मधारय-समासः (विशेषण-विशेष्यभावः)
अखिलैःby all (people)
अखिलैः:
Karana (करण/Instrument)
TypeAdjective
Rootअखिल (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, तृतीया (3rd case/तृतीया), बहुवचन; सर्वैः इति अर्थे
अर्भक-उक्त्याby a child’s speech
अर्भक-उक्त्या:
Karana (करण/Instrument)
TypeNoun
Rootअर्भक (प्रातिपदिक) + उक्ति (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (3rd case/तृतीया), एकवचन; षष्ठी-तत्पुरुषः (अर्भकस्य उक्ति)
उपलक्ष्यतेis recognized/identified
उपलक्ष्यते:
Kriya (क्रिया/Verb)
TypeVerb
Rootउप-लक्ष् (धातु)
Formलट्-लकारः (Present), प्रथमपुरुषः (3rd person), एकवचन; कर्मणि-प्रयोगः (Passive)
तेनtherefore/by that
तेन:
Karana (करण/Instrument)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुं/नपुंसकलिङ्ग, तृतीया (3rd case/तृतीया), एकवचन; सर्वनाम
अर्भक-उक्तिःchild’s speech
अर्भक-उक्तिः:
Karta (कर्ता/Subject)
TypeNoun
Rootअर्भक (प्रातिपदिक) + उक्ति (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st case/प्रथमा), एकवचन; षष्ठी-तत्पुरुषः (अर्भकस्य उक्ति)
छायाshadow/semblance
छाया:
Karta (कर्ता/Subject)
TypeNoun
Rootछाया (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st case/प्रथमा), एकवचन
तत्-मात्र-उक्तिम्only that much utterance
तत्-मात्र-उक्तिम्:
Karma (कर्म/Object)
TypeNoun
Rootतत् (सर्वनाम-प्रातिपदिक) + मात्र (प्रातिपदिक) + उक्ति (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd case/द्वितीया), एकवचन; तत्पुरुषः (तत्-मात्रा उक्ति = only that much utterance)
अनुकुर्वतीimitating/following
अनुकुर्वती:
Karta (कर्ता/Agent; agreeing with छाया)
TypeVerb
Rootअनु-कृ (धातु)
Formवर्तमान-कृदन्तः (शतृ/Present active participle), स्त्रीलिङ्ग, प्रथमा, एकवचन; परस्मैपदी-भावः

Lord Agni (instructing the sage Vasiṣṭha in encyclopedic topics, here: poetics/alaṅkāra-śāstra)

Vidya Category: {"primary_vidya":"Alamkara","secondary_vidya":"Samanya","practical_application":"To deliberately craft a poetic 'shadow' (chaya) that mimics rustic/childlike, untrained speech for characterization, humor, or realism without breaking overall aesthetic control.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Arbhakokti-chaya (Childlike-speech semblance)","lookup_keywords":["arbhakokti","chaya","avyutpanna-ukti","vakrokti","character-speech"],"quick_summary":"Arbhakokti is the label for unsophisticated/childlike utterance; its poetic chaya is the controlled imitation of that register to achieve a specific stylistic effect."}

Alamkara Type: Chaya (semblance) / Vakrokti-register imitation

Concept: Aesthetic efficacy can arise from deliberate imitation of non-elite speech when governed by poetic intention and propriety (auchitya).

Application: In drama/kavya, assign arbhakokti-chaya to children, simpletons, or rustic scenes to heighten realism and rasa without mere error.

Khanda Section: Sahitya-shastra (Kavya & Vakrokti/Arbhakokti – Poetics and stylistics)

Primary Rasa: hasya

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A poet-scribe demonstrates two lines: one refined, one intentionally childlike with simple words and naive phrasing, while a small child speaks nearby; the 'shadow' of speech is shown as a faint echo behind the written verse.","kerala_mural_prompt":"Kerala temple mural style, warm earthy palette, a seated kavi with palm-leaf manuscript, a child speaking simple words, subtle ghosted text behind the verse indicating chaya, traditional interior with oil lamp, flat decorative detailing","tanjore_prompt":"Tanjore painting, kavi seated on ornate platform, gold-leaf highlights on manuscript and borders, a child with playful gesture, stylized Sanskrit letters as decorative motif, rich reds and greens, temple-like backdrop","mysore_prompt":"Mysore painting style, fine linework, instructional tableau: two speech bubbles labeled 'avyutpanna' and 'chaya', kavi pointing to manuscript, soft pastel background, minimal but precise ornamentation","mughal_miniature_prompt":"Mughal miniature, courtly poet in a study, marginalia showing a rustic childlike utterance, delicate calligraphy panels, subdued colors, detailed textiles, a faint mirrored line to indicate imitation"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Hamsadhvani","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: अव्युत्पन्नोक्तिः = अव्युत्पन्न-उक्तिः; अर्भकोक्त्योपलक्ष्यते = अर्भक-उक्त्या उपलक्ष्यते; तेनार्भकोक्तिः = तेन अर्भक-उक्तिः; अर्भकोक्तिश्छाया = अर्भक-उक्तिः छाया; तन्मात्रोक्तिमनुकुर्वती = तत्-मात्र-उक्तिम् अनुकुर्वती

Related Themes: Agni Purana 341.25 (mattōkti-chaya); Agni Purana 341.27 (ukti definition)

A
Agni Purana
S
Sahitya-shastra
A
Arbhakokti
C
Chaya

FAQs

A technical point of kavya-vidya (Sahitya-shastra): it defines ‘arbha-kokti’ as untrained/childlike speech and explains that its poetic ‘chaya’ is a deliberate stylistic imitation of that speech.

Beyond ritual and dharma, the Agni Purana also codifies arts and sciences; here it records a precise definition from Sanskrit poetics, showing the text’s wide-ranging, encyclopedic treatment of literary theory alongside other disciplines.

Its significance is indirect: by teaching refined discernment in speech and literature (vāṅmaya), it supports dharmic cultivation of learning and right expression, traditionally regarded as meritorious when pursued for knowledge and discipline.