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Agni Purana — Mantra-shastra, Shloka 16

Worship of Gaurī and Others (Gauryādi-pūjā) — Mantra, Maṇḍala, Mudrā, Homa, and Mṛtyuñjaya Kalaśa-Rite

त्र्यश्रोर्धे चार्धचन्द्रस्तु द्विपदं द्विगुणं क्रमात् द्विगुणं द्वारकण्ठन्तु द्विगुणादुपकण्ठतः

tryaśrordhe cārdhacandrastu dvipadaṃ dviguṇaṃ kramāt dviguṇaṃ dvārakaṇṭhantu dviguṇādupakaṇṭhataḥ

ਤ੍ਰਿਅੰਗਲ ਭਾਗ ਦੇ ਉੱਪਰ ਅਰਧਚੰਦਰ ਨਿਰਧਾਰਿਤ ਹੈ। ਫਿਰ ਮਾਪ ਦੋ ਪਦ ਹੈ; ਉਸ ਤੋਂ ਬਾਅਦ ਕ੍ਰਮ ਅਨੁਸਾਰ ਹਰ ਅਗਲਾ ਅੰਗ ਦੋਗੁਣਾ ਕੀਤਾ ਜਾਵੇ। ਦ੍ਵਾਰਕੰਠ ਪਿਛਲੇ ਮਾਪ ਤੋਂ ਦੋਗੁਣਾ, ਅਤੇ ਉਪਕੰਠ ਉਸ ਤੋਂ ਵੀ ਦੋਗੁਣਾ ਹੋਵੇ।

त्र्यश्रin/for the triangle
त्र्यश्र:
Adhikarana (अधिकरण)
TypeAdjective
Rootत्रि + अश्र (प्रातिपदिक)
Formनपुंसकलिङ्गे सप्तमी-विभक्तिः एकवचनम् (expected with ‘ऊर्धे’); ‘त्र्यश्र’ = three-cornered/triangular
ऊर्धेabove
ऊर्धे:
Desha (देश)
TypeIndeclinable
Rootऊर्ध्व (प्रातिपदिक)
Formअव्ययम्/सप्तमी-प्रायः; दिशावाचक-अव्यय (above/upwards)
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्ययम्; समुच्चयार्थकः
अर्धचन्द्रःa half-moon (shape)
अर्धचन्द्रः:
Karta (कर्ता)
TypeNoun
Rootअर्ध + चन्द्र (प्रातिपदिक)
Formपुंलिङ्गे प्रथमा-विभक्तिः एकवचनम्; कर्मधारयः (half-moon)
तुindeed
तु:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्ययम्; विशेषार्थक-निपातः
द्विपदम्two units/steps
द्विपदम्:
Karma (कर्म)
TypeNoun
Rootद्वि + पद (प्रातिपदिक)
Formनपुंसकलिङ्गे प्रथमा/द्वितीया-विभक्तिः एकवचनम्; ‘two steps/feet’
द्विगुणम्double
द्विगुणम्:
Visheshana (विशेषण)
TypeAdjective
Rootद्वि + गुण (प्रातिपदिक)
Formनपुंसकलिङ्गे प्रथमा/द्वितीया-विभक्तिः एकवचनम्; ‘double’
क्रमात्in sequence
क्रमात्:
Hetu (हेतु)
TypeNoun
Rootक्रम (प्रातिपदिक)
Formपुंलिङ्गे पञ्चमी-विभक्तिः एकवचनम् (Ablative singular: in order)
द्विगुणम्double
द्विगुणम्:
Visheshana (विशेषण)
TypeAdjective
Rootद्वि + गुण (प्रातिपदिक)
Formनपुंसकलिङ्गे प्रथमा/द्वितीया-विभक्तिः एकवचनम्
द्वारकण्ठम्the doorway-neck/threshold
द्वारकण्ठम्:
Karma (कर्म)
TypeNoun
Rootद्वार + कण्ठ (प्रातिपदिक)
Formनपुंसकलिङ्गे प्रथमा/द्वितीया-विभक्तिः एकवचनम्; ‘द्वारस्य कण्ठः’ (door-neck/threshold part)
तुand/indeed
तु:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्ययम्
द्विगुणात्from the double (measure)
द्विगुणात्:
Apadana (अपादान)
TypeNoun
Rootद्वि + गुण (प्रातिपदिक)
Formनपुंसकलिङ्गे पञ्चमी-विभक्तिः एकवचनम् (Ablative singular: from the double measure)
उपकण्ठतःfrom the adjacent neck/nearby part
उपकण्ठतः:
Desha (देश)
TypeIndeclinable
Rootउपकण्ठ (प्रातिपदिक)
Formअव्ययम्; तसिल्-प्रत्ययान्त (ablatival adverb) ‘from/near the neck/adjacent part’

Lord Agni (narrating to Sage Vasiṣṭha, as the standard Agni Purāṇa frame)

Vidya Category: {"primary_vidya":"Vastu","secondary_vidya":"Shilpa","practical_application":"Applying proportional rules for architectural members—triangular element, semicircular element, and successive doubling measures including dvāra-kaṇṭha and upakaṇṭha—during doorway/ornamental construction.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Proportions of architectural members: tryaśra, ardhacandra, dvāra-kaṇṭha, upakaṇṭha","lookup_keywords":["tryaśra","ardhacandra","dvāra-kaṇṭha","upakaṇṭha","dviguṇa"],"quick_summary":"Specifies a measurement sequence: after setting a two-pada measure, successive members are doubled; the doorway-neck is twice the prior, and the subsidiary neck is twice that—guiding consistent architectural proportioning."}

Concept: Order (krama) and proportion (māna) generate structural harmony; doubling rules simplify complex design into repeatable ratios.

Application: Use a modular unit (pada) and apply dviguṇa scaling to maintain consistent moulding/door proportions across a build.

Khanda Section: Vastu-shastra / Shilpa (architectural measurement and temple/building proportions)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A sthapati marks a doorway elevation: a triangular member topped by a semicircular motif; measurement lines show two-pada base and successive doubling up to dvāra-kaṇṭha and upakaṇṭha.","kerala_mural_prompt":"Kerala mural, artisan-sage with measuring cord and stylus, doorway diagram on a wall panel, tryaśra and ardhacandra motifs clearly shown, earthy tones, decorative architectural borders.","tanjore_prompt":"Tanjore painting, ornate temple doorway with gold-highlighted mouldings, visible semicircular arch motif, inset showing measurement doubling (dviguṇa) with traditional tools, rich reds and greens.","mysore_prompt":"Mysore painting, technical elevation drawing aesthetic, clean measurement ticks labeled ‘pada’, ‘dviguṇa’, ‘dvāra-kaṇṭha’, ‘upakaṇṭha’, craftsman demonstrating with scale and cord.","mughal_miniature_prompt":"Mughal miniature, workshop scene with architects, a detailed doorway elevation on paper, compass and ruler, annotations of doubling ratios, refined architectural detailing in the background."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: त्र्यश्रोर्धे = त्र्यश्र + ऊर्धे। चार्धचन्द्रस्तु = च + अर्धचन्द्रः + तु। द्वारकण्ठन्तु = द्वारकण्ठम् + तु। द्विगुणादुपकण्ठतः = द्विगुणात् + उपकण्ठतः।

Related Themes: Agni Purana 325 (vāstu/śilpa measurement segment contiguous with pūjā material)

A
Agni Purana
V
Vastu-shastra
D
Dvāra (doorway)

FAQs

It gives a Vāstu/Śilpa proportional rule: after a triangular element comes a semicircular one, and subsequent architectural members (including doorway ‘neck’ bands like dvāra-kaṇṭha and upakaṇṭha) are sized by a stepwise doubling sequence using the unit ‘pada’.

Beyond theology, the Agni Purāṇa preserves technical canons of architecture—precise proportional design rules for structural/ornamental components—showing its compendium-like coverage of applied sciences such as Vāstu and Śilpa.

In Purāṇic Vāstu, correct proportions are treated as dhārmic alignment of sacred space; building according to canon is said to support auspiciousness, stability, and the merit (puṇya) associated with properly formed ritual and devotional structures.