विवाहं तत्र कुर्वंतो मिलितास्ते द्विजोत्तमाः । कोटिकन्याकुलं तत्र एकत्रासीन्महोत्सवे । धर्मारण्ये महाप्राज्ञ सत्यं सत्यं वदाम्यहम्
vivāhaṃ tatra kurvaṃto militāste dvijottamāḥ | koṭikanyākulaṃ tatra ekatrāsīnmahotsave | dharmāraṇye mahāprājña satyaṃ satyaṃ vadāmyaham
ସେଠାରେ ବିବାହକାର୍ଯ୍ୟ କରିବାକୁ ସେହି ଦ୍ୱିଜୋତ୍ତମମାନେ ଏକତ୍ର ହେଲେ। ଧର୍ମାରଣ୍ୟର ସେହି ମହୋତ୍ସବରେ ଏକ ସ୍ଥାନରେ କୋଟି ସଂଖ୍ୟକ କନ୍ୟାମାନଙ୍କ ଭିଡ଼ ଥିଲା। ହେ ମହାପ୍ରାଜ୍ଞ, ମୁଁ ସତ୍ୟ ସତ୍ୟ କହୁଛି।
Sūta (Lomaharṣaṇa) [deduced; emphatic ‘satyaṃ satyaṃ vadāmyaham’ is typical narrator emphasis]
Tirtha: Dharmāraṇya
Type: kshetra
Listener: mahāprajña (addressed) / Bhārata-context
Scene: A panoramic festival scene in Dharmāraṇya: rows of marriage pavilions, priests chanting, lamps and banners, and an immense assembly of maidens and families; the narrator’s emphatic ‘truth, truth’ frames the spectacle.
The tīrtha’s greatness is shown through extraordinary auspicious gatherings, where dharmic sacraments flourish on a vast scale.
Dharmāraṇya, depicted as a place capable of hosting immense sacred assemblies and rites.
Vivāha-saṃskāra (marriage sacrament) is explicitly mentioned as being performed there during a mahotsava.