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Shiva Purana — Rudra Samhita, Shloka 50

तारक-कुमार-युद्धवर्णनम् / Description of the Battle between Tāraka and Kumāra

गीतवादित्रघोषेण ब्रह्मघोषेण भूयसा । तदोत्सवो महानासीत्कीर्तनं च विशेषतः

gītavāditraghoṣeṇa brahmaghoṣeṇa bhūyasā | tadotsavo mahānāsītkīrtanaṃ ca viśeṣataḥ

ଗୀତ ଓ ବାଦ୍ୟର ଘୋଷରେ, ଏବଂ ତାହାଠାରୁ ଅଧିକ ବେଦପାଠର ବ୍ରହ୍ମଘୋଷରେ, ସେଇ ଉତ୍ସବ ମହାନ୍ ହୋଇଉଠିଲା; ବିଶେଷତଃ ଭକ୍ତିମୟ କୀର୍ତ୍ତନ ସର୍ବାଧିକ ପ୍ରମୁଖ ଥିଲା।

गीत-वादित्र-घोषेणby the sound of songs and instruments
गीत-वादित्र-घोषेण:
Karana (करण)
TypeNoun
Rootगीत (प्रातिपदिक) + वादित्र (प्रातिपदिक) + घोष (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/तृतीया), एकवचन; षष्ठी/तत्पुरुष-समास (गीतस्य वादित्रस्य च घोषः)
ब्रह्म-घोषेणby the Vedic chant
ब्रह्म-घोषेण:
Karana (करण)
TypeNoun
Rootब्रह्मन् (प्रातिपदिक) + घोष (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/तृतीया), एकवचन; तत्पुरुष (ब्रह्मणः घोषः)
भूयसाabundantly; greatly
भूयसा:
Karana (करण)
TypeAdjective
Rootभूयस् (प्रातिपदिक; तुलनात्मक)
Formनपुंसकलिङ्ग/पुंलिङ्ग, तृतीया (3rd/तृतीया), एकवचन; तुलनात्मक (more/abundantly)
तत्-उत्सवःthat festival
तत्-उत्सवः:
Karta (कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक) + उत्सव (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; तत्पुरुष (तस्य उत्सवः)
महान्great
महान्:
Visheshana (विशेषण)
TypeAdjective
Rootमहत् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; विशेषण
आसीत्was
आसीत्:
Kriya (क्रिया)
TypeVerb
Rootअस् (धातु)
Formलङ् (Imperfect/लङ्), प्रथमपुरुष, एकवचन; परस्मैपद
कीर्तनम्kīrtana; singing of praises
कीर्तनम्:
Karta (कर्ता)
TypeNoun
Rootकीर्तन (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन
and
:
Sambandha (सम्बन्ध/coordination)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (and)
विशेषतःespecially
विशेषतः:
Sambandha (सम्बन्ध/manner)
TypeIndeclinable
Rootविशेषतः (अव्यय)
Formरीत्यर्थ-अव्यय (especially)

Suta Goswami

Tattva Level: pati

Shiva Form: Naṭarāja

Significance: Emphasizes śabda (Vedic recitation) and saṅkīrtana as stabilizing, community-binding acts—an image of sthiti where cosmic and social order is maintained through praise of the Lord.

Type: stotra

Role: teaching

FAQs

It highlights sacred sound as a primary means of devotion: music, kīrtana, and Vedic recitation purify the mind and turn collective celebration into worship directed to Pati (Shiva), supporting the Shaiva Siddhanta emphasis on grace through disciplined devotion.

Such festivals typically center on Saguna worship—praise, kīrtana, and Vedic chants offered before the Śiva-liṅga—where sound (mantra/stotra) becomes an offering (upacāra) that steadies attention and invokes Shiva’s presence and blessing.

Regular kīrtana and mantra-japa (especially the Pañcākṣarī, “Om Namaḥ Śivāya”) accompanied by Vedic-style recitation; as a practical takeaway, make sound-worship a daily sādhana before the liṅga, ideally with a focused, sattvic mind.