Shloka 24
Śatrughna’s Entry into Ahicchatrā
Temptation of Sumada and the Goddess’s Boon
मातस्तव कलाविद्धमेतद्भाति चराचरम् । त्वदृते नास्ति सर्वं तन्मातर्भद्रे नमोस्तु ते
mātastava kalāviddhametadbhāti carācaram | tvadṛte nāsti sarvaṃ tanmātarbhadre namostu te
ହେ ମାତା! ତୁମ କଳାଶକ୍ତିରେ ବ୍ୟାପ୍ତ ହୋଇ ଏହି ସମସ୍ତ ଚରାଚର ଜଗତ ଦୀପ୍ତିମାନ। ତୁମ ବିନା କିଛି ନାହିଁ। ହେ ଭଦ୍ରେ ମାତା! ତୁମକୁ ନମସ୍କାର।
Unspecified (a devotee/narrator addressing the Divine Mother)
Concept: All that moves and does not move shines through the Mother’s power; apart from her, nothing exists—an assertion of pervasive divine ground (śakti/ādhāra).
Application: Practice seeing the sacred in all beings and situations; reduce ego by remembering one’s dependence on the divine; offer daily salutations (namo’stu te) as a grounding mantra.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"The Divine Mother appears as a vast, compassionate presence whose aura subtly contains galaxies, mountains, oceans, and tiny living beings—moving and unmoving—like sparks within a luminous veil. Devotees kneel at the edge of this vision, offering salutations as the universe itself seems to breathe within her power.","primary_figures":["Divine Mother (Devī/Śrī-Śakti)","small-scale devotees (optional)","cosmic elements personified (optional)"],"setting":"A cosmic panorama blending nebulae with earthly landscapes—mountains, forests, oceans—suggesting cara-acara within one frame.","lighting_mood":"divine radiance","color_palette":["cosmic violet","starfield black","auric gold","oceanic teal","lotus white"],"tanjore_prompt":"Tanjore painting style: Devī with expansive gold leaf aura containing miniature cosmic motifs (sun, moon, mountains), ornate jewelry and crown, devotees at the base in small scale, rich reds/greens with gold embossing, prabhāvali arch merging into a cosmic mandala.","pahari_prompt":"Pahari miniature style: poetic cosmic landscape with delicate gradients, Devī’s translucent aura overlaying mountains and rivers, refined faces and soft pastel clouds, emphasis on serenity and pervasion rather than grandeur.","kerala_mural_prompt":"Kerala mural style: Devī as central icon with bold outlines, her aura filled with stylized symbols of the universe (lotus, sun, moon, mountains), strong natural pigments, symmetrical composition like a temple wall cosmogram.","pichwai_prompt":"Pichwai cloth painting style: Devī framed by intricate lotus borders, patterned cosmic canopy, deep blue ground with gold stars, floral filigree suggesting pervasion, small devotees offering lamps, emphasis on auspiciousness (bhadra) through decorative abundance."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"serene","sound_elements":["low temple drone","soft bell at cadence","wind-like hush","distant water sound","long pauses"]}
Sandhi Resolution Notes: kalā-viddham etat → kalāviddhametad; etad bhāti → etadbhāti; tvad ṛte → tvadṛte; na asti → nāsti; tat mātaḥ bhadre → tanmātarbhadre; namaḥ astu → namostu
FAQs
It teaches that all existence—moving and unmoving—derives its manifestation and radiance from the Divine Mother’s power, and that nothing exists independently of Her.
By stating that the entire universe is “pervaded” by the Mother’s kalā (power/energy), it expresses a Shakta view that the cosmos depends on and is sustained by Devī as the underlying divine potency.
It models reverent surrender and praise (stuti), acknowledging Devī as the all-pervading ground of reality and offering salutations to Her as the auspicious protector and source.