Kāruṇya-stotra Phalaśruti; Dream-Darśana of Vāsudeva; Manifestation and Pratiṣṭhā of Jagannātha, Balabhadra (Ananta), and Subhadrā
तृतीयां स्वर्णवर्णाभां पद्मपत्रायतेक्षणाम् । विचित्रवस्त्रसंछन्नां हारकेयूरभूषिताम् ॥ ६६ ॥
tṛtīyāṃ svarṇavarṇābhāṃ padmapatrāyatekṣaṇām | vicitravastrasaṃchannāṃ hārakeyūrabhūṣitām || 66 ||
ତୃତୀୟ କନ୍ୟା ସୁବର୍ଣ୍ଣବର୍ଣ୍ଣ କାନ୍ତିରେ ଦୀପ୍ତ ଥିଲା; ତାହାର ନୟନ ପଦ୍ମପତ୍ର ପରି ଦୀର୍ଘ। ସେ ବିଚିତ୍ର ସୁନ୍ଦର ବସ୍ତ୍ରରେ ଆଚ୍ଛାଦିତ ଏବଂ ହାର-କେୟୂରରେ ଭୂଷିତ ଥିଲା।
Narada (narration within a Tirtha/Mahatmya description; speaker attribution inferred from Book 2 dialogue style)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shringara
It uses auspicious iconographic markers—golden radiance, lotus-like eyes, and sacred ornaments—to signal a divinely favored presence within the tirtha-mahātmya setting, indicating purity, prosperity, and spiritual merit associated with the place and its vision.
Indirectly: by portraying a radiant, ornamented divine figure in a pilgrimage narrative, it supports bhakti through darśana—devotional contemplation of divine beauty—which in Purāṇic practice strengthens श्रद्धा (faith) and स्मरण (remembrance).
Not a direct Vedāṅga teaching; however, the verse reflects traditional lakṣaṇa/alaṅkāra-style descriptive conventions used in Sanskrit literature, aiding disciplined recitation and comprehension (a supportive skill alongside śikṣā and vyākaraṇa).