Jyotiṣa-saṅgraha: Varga-vibhāga, Bala-nirṇaya, Garbha-phala, Āyuḥ-gaṇanā
आशु तेशाष्टगोष्वंगःत्सांतेष्वब्जात्सितः शुभः । स्वात्सज्ञेषु त्रिधीगोब्धी दिक्छिद्रासिगतोर्कजात् ॥ १६१ ॥
āśu teśāṣṭagoṣvaṃgaḥtsāṃteṣvabjātsitaḥ śubhaḥ | svātsajñeṣu tridhīgobdhī dikchidrāsigatorkajāt || 161 ||
ଶୀଘ୍ର ଭାବେ ସେହି ଅଷ୍ଟାଙ୍ଗ ଓ ‘ଗୋ’ ସ୍ଥାନମାନେ ପଦ୍ମସମ୍ଭବ ଶୁଭ ଶ୍ୱେତ (ସାତ୍ତ୍ୱିକ) ତତ୍ତ୍ୱକୁ ଧ୍ୟାନ/ସ୍ଥାପନ କରିବା ଉଚିତ। ନିଜ ପାରିଭାଷିକ ନାମରେ ସୂଚିତ ସ୍ଥାନମାନେ ତ୍ରିଧୀ ଓ ‘ଗୋବ୍ଧି’କୁ ଦିଗ, ଛିଦ୍ର/ଅନ୍ତରାଳ ଓ ଖଡ୍ଗସଦୃଶ ବିଭାଗ ଅନୁସାରେ, ଅର୍କ-ପରମ୍ପରା ମତେ ବିନ୍ୟସ କରିବା ଉଚିତ।
Sanatkumara (in dialogue instruction to Narada; technical moksha-dharma/nyasa-style teaching)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It emphasizes disciplined inner installation (nyāsa/bhāvanā) and structured contemplation—placing auspicious, sattvic principles in an ordered way—so the practitioner’s body-mind becomes a fit support for moksha-oriented practice.
Though technical, it supports bhakti by prescribing orderly contemplation/installation of the auspicious divine principle; such ritualized remembrance steadies the mind for sustained devotion and single-pointed worship.
It reflects applied ritual-technology using directional mapping (dik), structured divisions (chidra/asi), and technical nomenclature—skills aligned with Kalpa (ritual procedure) and, indirectly, Jyotiṣa-style spatial/directional correspondences.