स्वरितेतस्तनोः सप्त धातवः परिकीर्तिताः । मनुवन्वात्मनेभाषौ स्वरितेत्त्कृञुदाहृतः ॥ ६५ ॥
svaritetastanoḥ sapta dhātavaḥ parikīrtitāḥ | manuvanvātmanebhāṣau svaritettkṛñudāhṛtaḥ || 65 ||
ସ୍ୱରିତ-ସ୍ୱରଯୁକ୍ତ ‘ତନ୍’ ଧାତୁରୁ ସାତଟି ଧାତୁ-ରୂପ ପରିକୀର୍ତ୍ତିତ। ଆତ୍ମନେପଦ-ପ୍ରୟୋଗରେ ‘ମନୁ’ ଓ ‘ବନ୍’ କୁହାଯାଇଛି; ଏବଂ ‘କୃଞ୍’ ମଧ୍ୟ ଏଠାରେ ଉଦାହୃତ।
Sanatkumara (teaching Narada in a technical Vedanga/Vyakarana context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It highlights that Moksha-oriented teaching in the Narada Purana also preserves Vedanga precision—showing that correct knowledge of sacred language (sound, accent, and grammar) supports accurate transmission of dharma and mantra.
Indirectly: by stressing correct linguistic forms and accent, it safeguards the integrity of recitation and scriptural study, which are foundational supports for sustained Vishnu-bhakti and disciplined hearing (śravaṇa) of śāstra.
Vyākaraṇa and Śikṣā: it references dhātu-derivations and ātmanepada usage, along with svarita accent—core tools for correct interpretation and pronunciation of Vedic/Sanskrit texts.