Narada Purana — Purva Bhaga, Shloka 34
Vyākaraṇa-saṅgraha: Pada–Vibhakti–Kāraka–Lakāra–Samāsa
विष्णुर्नभ्यो रविरयं गी फलं प्रातरच्युतः । भक्तैर्वद्योऽप्यंतरात्मा भो भो एष हरिस्तथा । एष शार्ङ्गी सैष रामः संहितैवं प्रकीर्तिता ॥ ३४ ॥
viṣṇurnabhyo ravirayaṃ gī phalaṃ prātaracyutaḥ | bhaktairvadyo'pyaṃtarātmā bho bho eṣa haristathā | eṣa śārṅgī saiṣa rāmaḥ saṃhitaivaṃ prakīrtitā || 34 ||
ଏହି ହେଉଛନ୍ତି ବିଷ୍ଣୁ; ନାଭିରୁ ସୂର୍ଯ୍ୟ ଉଦିତ ହୁଏ; ଏହା ସ୍ତୁତି-ଗୀତ, ଏହାହିଁ ତାହାର ଫଳ; ପ୍ରାତଃ ଅଚ୍ୟୁତଙ୍କୁ ସ୍ମରଣ କରିବା ଉଚିତ। ଅନ୍ତରାତ୍ମା ହେଲେ ମଧ୍ୟ ଭକ୍ତମାନେ କହନ୍ତି—‘ଭୋ ଭୋ, ଏହି ହରି!’ ଏହି ଶାର୍ଙ୍ଗଧାରୀ, ଏହି ରାମ—ଏଭଳି ସଂହିତା ପ୍ରକୀର୍ତିତ।
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
FAQs
It presents Hari (Viṣṇu) as both transcendent and immanent—He is the antarātmā (inner Self) yet lovingly invoked by devotees—showing that liberation-oriented mokṣa-dharma is fulfilled through praise and remembrance of the Lord.
Bhakti is shown as vocal praise and heartfelt calling—“eṣa hariḥ”—along with prātaḥ-smaraṇa (morning remembrance) of Acyuta; the “phala” (fruit) is linked to devotional recitation (gī) rather than mere intellectual knowledge.
It highlights practical prayoga (application) in daily sādhana—especially prātaḥ-smaraṇa and stotra/saṃhitā-style recitation—where correct utterance and disciplined timing connect to Śikṣā (phonetics) and Kalpa (ritual procedure) in lived devotion.