Kalpa-Lakṣaṇa and Gṛhya-Kalpa: Classifications, Purifications, Implements, and Spatial Rite-Design
मन्त्राणामृषयश्चैव छन्दांस्यथ च देवताः । निर्दिष्टाः संहिताकल्पे मुनिभिस्तत्त्वदर्शिभिः ॥ ५ ॥
mantrāṇāmṛṣayaścaiva chandāṃsyatha ca devatāḥ | nirdiṣṭāḥ saṃhitākalpe munibhistattvadarśibhiḥ || 5 ||
ମନ୍ତ୍ରମାନଙ୍କର ଋଷି, ସେମାନଙ୍କର ଛନ୍ଦ ଓ ଅଧିଷ୍ଠାତୃ ଦେବତା—ଏ ସବୁ ସଂହିତା ଓ କଳ୍ପ ପରମ୍ପରାରେ ତତ୍ତ୍ୱଦର୍ଶୀ ମୁନିମାନେ ସ୍ପଷ୍ଟ କରି ନିର୍ଦ୍ଦିଷ୍ଟ କରିଛନ୍ତି।
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It emphasizes that mantra-practice is not arbitrary: each mantra is anchored in a revealed lineage (ṛṣi), a precise sonic structure (chandas), and a divine focus (devatā), as preserved by truth-seeing sages in the Saṃhitā and Kalpa traditions.
By highlighting the devatā of a mantra, it points devotion toward a specific divine form; correct identification of devatā and disciplined recitation supports focused remembrance and worship rather than vague or misdirected practice.
Kalpa (ritual procedure) and chandas (metre) are implied: knowing a mantra’s ṛṣi–chandas–devatā is a core practical requirement for correct Vedic recitation and ritual application as taught in Saṃhitā/Kalpa materials.