Markandeya Purana — Adhyaya 23, Shloka 102

Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati

Sanskrit

स्वच्छमुक्ताफललताहारिहारोपशोभितम् ।

केयूरिणं महाभागमासने सर्वकाञ्चने ॥

Transliteration

svaccha-muktāphala-latā-hāri-hāra-upaśobhitam | keyūriṇaṃ mahā-bhāgam āsane sarva-kāñcane ||

Translation

ସେ ନାଗେନ୍ଦ୍ର ସ୍ଫୁଟ ମୁକ୍ତାହାର ଓ ମୁକ୍ତାସୂତ୍ରଗୁଚ୍ଛରେ ଅଲଙ୍କୃତ, କେୟୂରଧାରୀ, ପରମ ସୌଭାଗ୍ୟବାନ୍ ପ୍ରଭୁ, ସମ୍ପୂର୍ଣ୍ଣ ସୁବର୍ଣ୍ଣମୟ ସିଂହାସନରେ ଉପବିଷ୍ଟ ହୋଇ ଶୋଭିତ ଥିଲେ।

Word by Word

• svaccha: clear, pure
• svaccha: Karma (कर्म)
• Type: Adjective
• Root: svaccha (प्रातिपदिक)
• Form: Napumsaka (नपुंसकलिङ्ग), Dvitīyā (2/द्वितीया), Ekavacana (एकवचन); viśeṣaṇa (विशेषण)

• muktā-phala-latā-hāri-hāra-upaśobhitam: adorned with necklaces/garlands charming like creepers of clear pearl-fruits
• muktā-phala-latā-hāri-hāra-upaśobhitam: Karma (कर्म)
• Type: Adjective
• Root: muktā (प्रातिपदिक) + phala (प्रातिपदिक) + latā (प्रातिपदिक) + hārin (प्रातिपदिक) + hāra (प्रातिपदिक) + upaśobhita (कृदन्त; उप-√शुभ्)
• Form: Napumsaka (नपुंसकलिङ्ग), Dvitīyā (2/द्वितीया), Ekavacana (एकवचन); bhūtakṛdanta past participle (क्त) ‘upaśobhita’ = adorned; samāsa: determinative chain qualifying the ornament

• keyūriṇam: wearing armlets
• keyūriṇam: Karma (कर्म)
• Type: Adjective
• Root: keyūrin (प्रातिपदिक)
• Form: Puṃliṅga (पुंलिङ्ग), Dvitīyā (2/द्वितीया), Ekavacana (एकवचन); viśeṣaṇa (विशेषण)

• mahā-bhāgam: very fortunate, illustrious
• mahā-bhāgam: Karma (कर्म)
• Type: Adjective
• Root: mahā (प्रातिपदिक) + bhāga (प्रातिपदिक)
• Form: Puṃliṅga (पुंलिङ्ग), Dvitīyā (2/द्वितीया), Ekavacana (एकवचन); karmadhāraya ‘greatly fortunate’

• āsane: on the seat/throne
• āsane: Adhikarana (अधिकरण)
• Type: Noun
• Root: āsana (प्रातिपदिक)
• Form: Napumsaka (नपुंसकलिङ्ग), Saptamī (7/सप्तमी), Ekavacana (एकवचन); adhikaraṇa (अधिकरण)

• sarva-kāñcane: (on a seat) entirely golden
• sarva-kāñcane: Adhikarana (अधिकरण)
• Type: Adjective
• Root: sarva (प्रातिपदिक) + kāñcana (प्रातिपदिक)
• Form: Napumsaka (नपुंसकलिङ्ग), Saptamī (7/सप्तमी), Ekavacana (एकवचन); viśeṣaṇa of āsane; ‘made wholly of gold’

Speakers

• Narrative voice within the ongoing story (frame speaker not explicit in these verses)

Verse Rasa

{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

Key Themes

• Royal splendor
• Courtly description
• Setting the scene for recognition/blessing

FAQs

What is the philosophical or ethical takeaway?

The verse is primarily descriptive, establishing the dignity and authority of Nāgendra; in Purāṇic narrative, such splendor often signals accrued merit (puṇya) and sets a fitting stage for dharmic instruction and blessing.

How does this fit the Pancalakshana (5 characteristics)?

It belongs to Ākhyāna/vaṃśānucarita-style narration (genealogical/royal episode), aligning most closely with Vaṃśa/vaṃśānucarita rather than sarga/pratisarga/manvantara.

What is the esoteric significance?

Gold and pearls symbolically mark sattva and purity; the ‘golden seat’ can be read as stable dharma/authority from which right counsel is dispensed.