Agni Purana — Raja-dharma, Shloka 19
Sahāya-sampattiḥ (Securing Support/Allies): Royal Appointments, Court Offices, Spies, and Personnel Ethics
देशान्तरागतान् पार्श्वे चारैज्ञात्वा हि पूजयेत् शत्रवो ऽग्निवर्षं सर्पो निस्त्रिंशमपि चैकतः
deśāntarāgatān pārśve cāraijñātvā hi pūjayet śatravo 'gnivarṣaṃ sarpo nistriṃśamapi caikataḥ
ଅନ୍ୟ ଦେଶରୁ ଆସି ପାଖରେ ରହୁଥିବା ଲୋକମାନଙ୍କୁ ଗୁପ୍ତଚର ଦ୍ୱାରା ଭଲଭାବେ ଜାଣି ରାଜା ତାଙ୍କୁ ସମ୍ମାନ କରିବା ଉଚିତ; କାରଣ ଶତ୍ରୁ ଏକେ ଦିଗରୁ ନାନା ରୂପରେ ଆକ୍ରମଣ କରିପାରେ—ଅଗ୍ନିବର୍ଷା ପରି, ସର୍ପ ପରି, ତଳୱାର ପରି ମଧ୍ୟ।
Lord Agni (in discourse to the sage Vasiṣṭha, in the Agni Purana’s rajadharma/nīti section)
Vidya Category: {"primary_vidya":"Arthashastra","secondary_vidya":"Dharmashastra","practical_application":"Border/urban security: screen and diplomatically receive outsiders after covert verification; anticipate multi-modal threats from one direction.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Screening and Reception of Foreign Arrivals via Spies","lookup_keywords":["chara","deshantara-agata","atithi-puja","shatru-upadrava","internal-security"],"quick_summary":"Verify outsiders through intelligence before honoring them publicly; treat every arrival as a potential vector for diverse hostile actions from a single quarter."}
Alamkara Type: Upama
Weapon Type: Sword
Concept: Prudent hospitality (satkara) must be preceded by discernment (pariksha) to protect the realm.
Application: Combine soft power (honor/receiving) with intelligence vetting; avoid naive openness.
Khanda Section: Rajadharma / Niti-shastra (Statecraft, espionage, and security)
Primary Rasa: Raudra
Secondary Rasa: Bhayanaka
Type: Kingdom
Visual Art Cues: {"scene_description":"A king in court receives travelers from another land while discreet spies observe; in the background symbolic threats appear—fiery rain, a serpent, and a drawn sword—showing enemies’ many forms from one direction.","kerala_mural_prompt":"Kerala mural style, royal sabha with lamp-lit pillars, king on throne receiving foreign travelers, discreet spies in simple attire watching, symbolic agni-varsha as stylized flames in sky, serpent coiled near doorway, gleaming sword motif, rich reds and ochres, flat iconic composition","tanjore_prompt":"Tanjore painting, king with ornate crown and jewelry on throne, gold-foil highlights on throne and sword, travelers with distinct regional costumes, spies half-hidden, background with stylized flame-shower and serpent, temple-like court architecture, vibrant jewel tones","mysore_prompt":"Mysore painting, detailed court scene with clear narrative labeling feel, spies positioned at sides, travelers being honored with garlands, inset panels showing three threat-forms (fire rain, serpent, sword), delicate linework and soft shading","mughal_miniature_prompt":"Mughal miniature, durbar reception of foreign envoys, subtle spies among attendants, one corner shows allegorical fire shower, another a serpent, another a sword-bearing assailant, fine textiles and architectural perspective, restrained palette with intricate detail"}
Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: चारैज्ञात्वा = चारैः + ज्ञात्वा; शत्रवोऽग्निवर्षं = शत्रवः + अग्निवर्षम्; चैकतः = च + एकतः.
Related Themes: Agni Purana Rajadharma/Niti sections on chara-niyoga (spies) and durga/rashtra-raksha (fort/realm protection)
FAQs
It teaches a nīti (statecraft) procedure: verify outsiders near the court/realm through spies, then manage them via respectful reception—using hospitality as a controlled intelligence and security measure.
Alongside theology and ritual, the Agni Purana also codifies practical governance—espionage, threat assessment, and diplomatic handling of foreigners—showing its wide coverage of political science and security policy.
By combining vigilance with proper reception (pūjā/satkāra), the ruler maintains dharma—avoiding unjust suspicion while preventing harm—thereby protecting subjects and accruing merit through righteous kingship.