Adhyaya 17 — Harishchandra
ब्रह्मरूपञ्च शुक्लाभं पतमानं समन्ततः ।
सोमरूपं रजोपेतं दिशस्तं जगृहुर्दश ॥
brahmarūpañca śuklābhaṃ patamānaṃ samantataḥ |
somarūpaṃ rajopetaṃ diśastaṃ jagṛhurdaśa ||
အဖြူရောင်၊ ဗြဟ္မာနှင့်ဆင်တူသော ရုပ်သဏ္ဍာန်တစ်ခုသည် အရပ်အနှံ့ကျဆင်းလာပြီး၊ ရဇသ်အရောင်ရောနှောသော ဆိုမရုပ်သို့ ပြောင်းလဲသွား하였다။ ဒిశအဆယ်ပါးက ထိုအရာကို လက်ခံယူ하였다။
{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The ‘ten directions’ receiving the form suggests that a deity’s function is cosmic and all-encompassing, not localized. The mention of rajas hints that even luminous divinity participates in dynamic governance of the world.
Sarga/Pratisarga imagery (formation and cosmic placement) in service of Vaṃśa narration (the arising of Soma as Atri’s son).
‘Ten directions’ can symbolize the full field of experience; Soma as mind-linked luminary becomes ‘held’ by the totality of space, indicating mind’s pervasion through the experiential cosmos.