Durjaya, Urvaśī, and the Expiation at Vārāṇasī
Genealogy and Sin-Removal through Viśveśvara
तत्र तत्राप्सरोवर्या दृष्ट्वा तं सिंहविक्रमम् / कामं संदधिरे घोरं भूषितं चित्रमालया
tatra tatrāpsarovaryā dṛṣṭvā taṃ siṃhavikramam / kāmaṃ saṃdadhire ghoraṃ bhūṣitaṃ citramālayā
နေရာနေရာ၌ အပ്സရာတို့အနက် အမြတ်ဆုံးတို့သည် စင်္ဟာကဲ့သို့ သတ္တိဗလရှိသူကို မြင်လျှင် အံ့ဖွယ်ပန်းမော်လီဖြင့် အလှဆင်ထားသော ထိုသူအပေါ် ပြင်းထန်သော ကာမဆန္ဒက တက်ကြွလာကြ၏။
Suta (narrator) recounting the episode to the sages (Naimisharanya frame)
Primary Rasa: shringara
Secondary Rasa: adbhuta
Indirectly, by showing how powerful sensory attraction (kāma) arises upon perception; the Kurma Purana’s broader teaching contrasts such fluctuating desire with the steady Atman known through restraint and discernment.
The verse highlights the obstacle of kāma (passion) triggered by sense-contact; in the Kurma Purana’s yogic framework (including Pāśupata-oriented discipline), this points to the need for indriya-nigraha (sense-control), vairāgya (dispassion), and steadiness of mind.
This specific verse is narrative and does not explicitly mention Shiva–Vishnu unity; its takeaway aligns with the Purana’s shared Shaiva–Vaishnava ethic that mastery over desire is essential for devotion and liberation.