Previous Verse
Next Verse

Agni Purana — Raja-dharma, Shloka 43

Mantra-śakti, Dūta-Carā (Envoys & Spies), Vyasana (Calamities), and the Sapta-Upāya of Nīti

मौलीभूतं श्रेणिसुहृद्द्विषदाटविकं बलं राजहर्म्यं समावृत्य क्रमेण विनिवेशयेत्

maulībhūtaṃ śreṇisuhṛddviṣadāṭavikaṃ balaṃ rājaharmyaṃ samāvṛtya krameṇa viniveśayet

မကွတ်ကဲ့သို့ ဝိုင်းရံပုံစံဖြင့် ဖွဲ့စည်းပြီးနောက်၊ အဖွဲ့အစည်းဝင်များ၊ မိတ်သဟာယများ၊ ရန်ဘက်မှ ဖမ်းဆီးသို့မဟုတ် အတင်းအကျပ် စုဆောင်းထားသော တပ်ဖွဲ့များနှင့် တောတောင်မျိုးနွယ်တပ်တို့ကို အဆင့်ဆင့် တပ်စွဲကာ မင်းနန်းတော်ကို အရပ်လေးမျက်နှာမှ ဝိုင်းရံထားရမည်။

मौलीभूतम्made into a head/crown (i.e., placed at the head)
मौलीभूतम्:
कर्म (Karma/Object-qualifier)
TypeAdjective
Rootमौली-भूत (प्रातिपदिक; घटकाः: मौली + भूत)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन; विशेषण (as predicate/qualifier)
श्रेणिसुहृद्द्विषदाटविकम्(troops of) guildsmen, allies, enemies, and forest-tribes/foresters
श्रेणिसुहृद्द्विषदाटविकम्:
कर्म (Karma/Object-qualifier)
TypeAdjective
Rootश्रेणि-सुहृद्-द्विषद्-आटविक (प्रातिपदिक; घटकाः: श्रेणि + सुहृद् + द्विषद् + आटविक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन; समाहार-द्वन्द्व (collective dvandva) विशेषण
बलम्force/army
बलम्:
कर्म (Karma/Object)
TypeNoun
Rootबल (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन
राजहर्म्यम्royal palace/mansion
राजहर्म्यम्:
कर्म (Karma/Object)
TypeNoun
Rootराज-हर्म्य (प्रातिपदिक; घटकाः: राज + हर्म्य)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन
समावृत्यhaving surrounded/encircled
समावृत्य:
पूर्वक्रिया (Pūrvakriyā/Absolutive)
TypeVerb
Rootसम्-आ-वृत् (धातु)
Formक्त्वान्त (absolutive/gerund), अव्ययभाव; पूर्वकालिक क्रिया (having surrounded)
क्रमेणin order, step by step
क्रमेण:
करण (Karaṇa/Instrument-adv.)
TypeIndeclinable
Rootक्रम (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/Instrumental), एकवचन; क्रियाविशेषणार्थे (adverbial instrumental)
विनिवेशयेत्should arrange/deploy
विनिवेशयेत्:
क्रिया (Kriyā/Action)
TypeVerb
Rootवि-नि-विश् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष, एकवचन; परस्मैपद; णिच् (causative sense: cause to be placed/arrange)

Lord Agni (in instruction to the sage Vasiṣṭha, as per the common Agni Purāṇa dialogue frame)

Vidya Category: {"primary_vidya":"Arthashastra","secondary_vidya":"Dhanurveda","practical_application":"Layered deployment of mixed troop-sources to create a protective cordon around the royal palace/HQ, optimizing loyalty gradients and containment of unreliable elements.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Crown-like encirclement deployment around the royal palace","lookup_keywords":["mauli-bhuta","shreni-bala","suhrit-bala","dvisad-atavika","raja-harmya","parivesha"],"quick_summary":"For camp/seat security, forces should be arranged in an encircling ‘crown’ formation. Troops from guilds, allies, coerced/hostile contingents, and forest units are stationed stepwise to enclose the royal palace."}

Alamkara Type: Rupaka

Concept: Orderly gradation (krama) and prudent assessment of human reliability are essential to protect sovereignty.

Application: Design security rings: trusted core guards nearest the ruler; mixed/less-trusted auxiliaries positioned with oversight and buffers.

Khanda Section: Rajadharma & Dandaniti (Governance and Military Arrangement)

Primary Rasa: vira

Secondary Rasa: raudra

Visual Art Cues: {"scene_description":"A royal palace pavilion surrounded by successive rings of different troop groups—guild militias, allied soldiers, coerced enemy units, and forest-tribal archers—forming a crown-like encirclement.","kerala_mural_prompt":"Kerala mural style, concentric rings of troops with distinct costumes (guildsmen with tools/insignia, allies with matching banners, captive troops guarded, forest archers), central royal harmya, rhythmic symmetry and bold outlines","tanjore_prompt":"Tanjore style, central palace with gold embellishment, circular ‘crown’ of soldiers rendered symmetrically, ornate halos for royal insignia, rich reds/greens, embossed gold for banners and armor","mysore_prompt":"Mysore style, clean composition showing step-by-step placement (krameṇa) in rings, subtle color gradients, fine detailing of troop categories and their positions around the royal building","mughal_miniature_prompt":"Mughal miniature, top-down palace courtyard with multiple troop circles, individualized faces and uniforms, labeled standards, meticulous architecture, decorative border and calligraphy cartouche"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: श्रेणिसुहृद्द्विषदाटविकं→श्रेणि-सुहृद्-द्विषद्-आटविकम्

Related Themes: Agni Purana 240.42; Agni Purana 240.44; Agni Purana 240.45

R
Raja (King)
R
Rajaharmya (Royal Palace)
S
Shreni (Guilds)
A
Atavika (Forest/Tribal Troops)

FAQs

It teaches a practical dandanīti procedure: arranging layered security by deploying different categories of manpower (guild forces, allies, subdued hostile elements, and forest troops) in a ring-formation to secure the royal palace.

Beyond theology, the Agni Purana preserves applied knowledge of governance—urban corporations (śreṇi), alliance management, use of irregular troops (āṭavika), and tactical perimeter defense—showing its coverage of statecraft alongside ritual and doctrine.

In Rajadharma terms, protecting the king’s seat of rule safeguards social order (dharma) and subjects’ welfare; competent protection is treated as a righteous duty whose merit lies in preventing disorder and harm.