Agni Purana — Raja-dharma, Shloka 18
Chapter 230: शकुनानि (Śakunāni) — Omens
सर्वे ऽन्ये च वनेचरा इति झ हंषाश् च मृगमार्जारनकुलर्क्षभुजङ्गमाः वृकारिसिंहव्याघ्रोष्ट्रग्रामशूकरमानुषाः
sarve 'nye ca vanecarā iti jha haṃṣāś ca mṛgamārjāranakularkṣabhujaṅgamāḥ vṛkārisiṃhavyāghroṣṭragrāmaśūkaramānuṣāḥ
အခြားသတ္တဝါအားလုံးကိုလည်း တောနေသတ္တဝါများဟု ဖော်ပြကြသည်။ ထို့ပြင် ဟံသ (haṃsa) ငှက်များ၊ သမင်၊ ကြောင်၊ နကူလ (mongoose)၊ ဝက်ဝံ၊ မြွေများ၊ ဝံပုလွေ၊ ရန်သူဖြစ်သော သားရဲများ၊ ခြင်္သေ့၊ ကျား၊ ကုလားအုတ်၊ ရွာတွင်းတိရစ္ဆာန်များ၊ ဝက်နှင့် လူတို့လည်း ပါဝင်သည်။
Lord Agni (narrating to Sage Vasiṣṭha in the Agni Purāṇa’s dialogue frame)
Vidya Category: {"primary_vidya":"Cosmology","secondary_vidya":"Dharmashastra","practical_application":"Using afterlife/pretaloka imagery and creature-categories to teach karmic consequence and moral restraint; also functions as a classificatory catalogue of beings in liminal realms.","sutra_style":false}
Encyclopedic Reference: {"reference_type":"List","entry_title":"Vane-cara & mixed beings in Naraka/Pretaloka description","lookup_keywords":["narakavarṇana","pretaloka","vane-cara","mṛga","bhujanga"],"quick_summary":"Catalogues forest-dwellers and various beings (birds, beasts, serpents, humans) within the narrative frame of afterlife cosmography, reinforcing the vastness and terror of karmic realms."}
Alamkara Type: Anukrama (enumerative listing)
Concept: Karmic consequence is portrayed through terrifying, crowded realms populated by many classes of beings.
Application: Cultivate ahiṃsā, satya, and restraint; use the imagery as a meditation on consequences before harmful acts.
Khanda Section: Narakavarṇana / Pretaloka-vidhi (Afterlife cosmography and karmic consequences)
Primary Rasa: bhayanaka
Secondary Rasa: adbhuta
Type: Cosmic realm
Visual Art Cues: {"scene_description":"A dark forested otherworld where many creatures—haṃsa birds, deer, cats, mongooses, bears, serpents, wolves, lions, tigers, camels, pigs—move among fearful human figures, suggesting a karmic wilderness.","kerala_mural_prompt":"Kerala mural, dramatic Pretaloka forest, layered animals in stylized rows, dark greens and reds, expressive eyes, humans in simple garments, ominous atmosphere.","tanjore_prompt":"Tanjore style, framed cosmological panel of Naraka-forest, gold borders, clustered animals and humans, strong icon-like composition, luminous highlights.","mysore_prompt":"Mysore painting, didactic cosmography scene, neatly arranged animal groups with captions, subdued tones, emphasis on classification and clarity.","mughal_miniature_prompt":"Mughal miniature, dense naturalistic menagerie in a shadowed grove, fine detailing of fur and scales, humans interspersed, narrative marginalia feel."}
Audio Atmosphere: {"recitation_mood":"solemn","suggested_raga":"Raga Bhairavi","pace":"medium","voice_tone":"contemplative"}
Sandhi Resolution Notes: sarve 'nye = sarve + anye (avagraha). vanecarāḥ = vane + carāḥ. Large lists treated as Dvandva compounds. The segment 'jha' appears as a textual/onomatopoetic or corrupt reading; kept as indeclinable token.
Related Themes: Agni Purana 230 (Naraka/Pretaloka portion)
FAQs
This verse imparts classificatory knowledge used in Naraka/afterlife narration—an enumerative taxonomy of beings (wild, domestic, and human) appearing in the described realm, supporting the text’s systematic mapping of karmic environments.
By listing multiple categories of creatures in a compact, technical enumeration, it demonstrates the Agni Purana’s encyclopedic style—cataloguing cosmography, zoological groupings, and realm-descriptions as reference material alongside ritual, polity, medicine, and aesthetics in other chapters.
The verse underscores that karmic realms are populated by varied forms of life; the implicit teaching is vigilance in dharma, since actions are linked to experiences in environments characterized by fear, predation, and mixed embodiments.