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Agni Purana — Mantra-shastra, Shloka 3

वागीश्वरीपूजा

The Worship of Vāgīśvarī

द्विपर्णकमिति ख कोटिद्वयन्तु तन्मध्यादङ्कयेद्दक्षिणोत्तरम् मध्ये द्वयं प्रकर्तव्य स्फालयेद्दक्षिनोत्तरम्

dviparṇakamiti kha koṭidvayantu tanmadhyādaṅkayeddakṣiṇottaram madhye dvayaṃ prakartavya sphālayeddakṣinottaram

“ဤသည်ကို ဒွိပဏ္ဏက (dviparṇaka) ဟု ခေါ်သည်။” ၎င်း၏ အလယ်မှ စ၍ တောင်–မြောက် အ축တလျှောက် ထောင့်နှစ်ခုကို အမှတ်တင်ရမည်။ အလယ်ဗဟိုတွင် အမှတ်/မျဉ်း နှစ်ခုကို ထပ်မံပြုလုပ်ပြီး၊ ပုံကို တောင်–မြောက် ဦးတည်ရာအတိုင်း ဖွင့်၍ ဖြန့်ရမည်။

dviparṇakamthe 'two-leaf' (figure)
dviparṇakam:
Karma (कर्म/thing named)
TypeNoun
Rootdvi+parṇaka (प्रातिपदिक)
Formनपुंसकलिङ्गे, प्रथमा/द्वितीया (contextual; here as label), एकवचन; dvigu 'two-leafed (figure)'
itithus
iti:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootiti (अव्यय)
Formअव्यय (quotative)
khakha (marker)
kha:
Sambandha (सम्बन्ध/marker)
TypeNoun
Rootkha (प्रातिपदिक)
Formनपुंसकलिङ्गे, प्रथमा (1st), एकवचन; technical syllable/marker (unclear in transmission)
koṭi-dvayamtwo corners/sides
koṭi-dvayam:
Karma (कर्म)
TypeNoun
Rootkoṭi+dvaya (प्रातिपदिक)
Formनपुंसकलिङ्गे, द्वितीया (2nd), एकवचन; 'a pair of corners/sides'
tubut/indeed
tu:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
Formअव्यय (particle/emphasis)
tat-madhyātfrom its middle
tat-madhyāt:
Apādāna (अपादान/source)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)+madhya (प्रातिपदिक)
Formनपुंसकलिङ्गे, पञ्चमी (5th/पञ्चमी), एकवचन; 'from its middle'
aṅkayetshould mark
aṅkayet:
Kriyā (क्रिया)
TypeVerb
Root√aṅk (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd), एकवचन; परस्मैपद
dakṣiṇa-uttaramsouth-to-north
dakṣiṇa-uttaram:
Karma (कर्म/marked line orientation)
TypeAdjective
Rootdakṣiṇa+uttara (प्रातिपदिक)
Formनपुंसकलिङ्गे, द्वितीया (2nd), एकवचन; dvandva 'south-north' used adverbially to indicate orientation
madhyein the middle
madhye:
Adhikarana (अधिकरण)
TypeNoun
Rootmadhya (प्रातिपदिक)
Formनपुंसकलिङ्गे, सप्तमी (7th), एकवचन
dvayama pair/two (marks)
dvayam:
Karma (कर्म)
TypeNoun
Rootdvaya (प्रातिपदिक)
Formनपुंसकलिङ्गे, द्वितीया (2nd), एकवचन
prakartavyamto be made
prakartavyam:
Kriyāviśeṣaṇa (क्रियाविशेषण/predicative)
TypeAdjective
Rootpra+√kṛ (धातु)
Formकृत्य-प्रत्यय (gerundive/obligative, -tavya), नपुंसकलिङ्गे, प्रथमा/द्वितीया, एकवचन; 'to be made'
sphālayetshould snap/jerk
sphālayet:
Kriyā (क्रिया)
TypeVerb
Root√sphal (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd), एकवचन; परस्मैपद
dakṣiṇa-uttaramsouth-to-north
dakṣiṇa-uttaram:
Karma (कर्म/axis)
TypeAdjective
Rootdakṣiṇa+uttara (प्रातिपदिक)
Formनपुंसकलिङ्गे, द्वितीया (2nd), एकवचन; dvandva used adverbially

Lord Agni (instructing the sage Vasiṣṭha in the Agni Purana’s technical sections)

Vidya Category: {"primary_vidya":"Vastu","secondary_vidya":"Shilpa","practical_application":"Constructing the dviparṇaka figure by establishing south–north corner marks and central lines, expanding the layout along the meridian axis.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Dviparṇaka Yantra/Kṣetra Construction (South–North Expansion)","lookup_keywords":["dviparṇaka","dakṣiṇottara","koṭi-dvaya","madhya-rekhā","sphālana"],"quick_summary":"From the central reference, mark two corner points on the south–north axis, add two central marks/lines, and extend the figure along the meridian to complete the dviparṇaka layout."}

Concept: Form is generated from the center (madhya) through ordered extension along axes; symmetry is a discipline of mind and craft.

Application: After fixing the midpoint, establish the north–south line; mark symmetric points; then extend/‘open’ the figure to maintain proportional balance.

Khanda Section: Vastu-śāstra / Yantra-lakṣaṇa (diagrammatic construction and measurements)

Primary Rasa: adbhuta

Secondary Rasa: śānta

Visual Art Cues: {"scene_description":"A ground-plan in progress: a central point, a north–south line, two symmetric corner marks, and additional central strokes forming the dviparṇaka figure; artisans extend the layout with cords.","kerala_mural_prompt":"Kerala mural; stylized geometric figure on floor with red/white lines; craftsmen snapping cords north–south; cardinal direction emblems; strong outlines and flat color fields.","tanjore_prompt":"Tanjore; the dviparṇaka geometry rendered like a sacred diagram with gold highlights; artisans in traditional attire; decorative border with lotus and conch motifs.","mysore_prompt":"Mysore; instructional plate-like composition: central dot, N–S axis, two corner points, two central lines; clean, readable geometry; muted elegant palette.","mughal_miniature_prompt":"Mughal miniature; surveyors around a drawn figure; fine brushwork showing measured points; a supervisor indicates the north direction with a staff; detailed textiles and instruments."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":null,"pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: dviparṇakamiti → dviparṇakam + iti; koṭidvayantu → koṭi-dvayam + tu; tanmadhyāt → tat-madhyāt; aṅkayeddakṣiṇottaram → aṅkayet + dakṣiṇa-uttaram; sphālayeddakṣinottaram → sphālayet + dakṣiṇa-uttaram.

Related Themes: Agni Purana sequence on cord-lines, squares, and kṣetra-vinyāsa (319.2–319.5 context)

D
Dviparṇaka (yantra/diagram term)
D
Dakṣiṇa–Uttara (cardinal axis)

FAQs

It teaches a precise drafting step for a named diagram (dviparṇaka): marking paired corners from the centre and creating two central divisions aligned on the south–north axis.

Beyond mythic narration, the Agni Purana preserves applied technical knowledge—here, practical geometric/diagrammatic rules used in ritual, yantra, or vastu/temple-layout contexts.

Correct directional alignment and accurate construction are treated as essential for ritual efficacy; precision in the prescribed layout is understood to support purity, order (ṛta), and the intended fruit of the rite.