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Agni Purana — Mantra-shastra, Shloka 3

सकलादिमन्त्रोद्धारः (Sakalādi-mantra-uddhāra) — Chapter Colophon/Transition

नमो ऽन्तः स्याच्चतुर्वर्णो विश्वरूपञ्च कारणम् सूर्यमात्राहतं ब्रह्मण्यङ्गानीह तु पूर्ववत्

namo 'ntaḥ syāccaturvarṇo viśvarūpañca kāraṇam sūryamātrāhataṃ brahmaṇyaṅgānīha tu pūrvavat

မန်ထရသည် «နမဟ်» ဖြင့် အဆုံးသတ်ရမည်။ ၎င်းသည် မာတ်ရာ/အက္ခရာ လေးခုပါဝင်၍ ကမ္ဘာလောကပုံသဏ္ဌာန်ရှိကာ အကြောင်းရင်းသဘောတရား (ကာရဏ) ဖြစ်သည်။ စူရျမတ်ရာ (နေ၏ မာတ်ရာ) ဖြင့် သတ်မှတ်ခံထားသဖြင့် ယခင်ညွှန်ကြားသကဲ့သို့ ဤနေရာတွင် ဘြဟ္မန်၏ အင်္ဂါများကို နျာသ (nyāsa) ဖြင့် တင်ထားရမည်။

नमःsalutation
नमः:
Kriya (क्रिया)
TypeNoun
Rootनमस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचन; विसर्गान्त; (नमः इति नमस्कारार्थे)
अन्तःwithin/inside
अन्तः:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootअन्तः (अव्यय)
Formअव्यय; स्थानवाचक क्रियाविशेषण (adverb of place)
स्यात्should be
स्यात्:
Kriya (क्रिया)
TypeVerb
Rootअस् (धातु)
Formविधिलिङ् (optative), प्रथमपुरुष, एकवचन; परस्मैपद
चतुर्वर्णःfour-syllabled/four-lettered
चतुर्वर्णः:
Karta (कर्ता)
TypeAdjective
Rootचतुर्-वर्ण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; द्विगु/संख्यापूर्वक-तत्पुरुष (चत्वारः वर्णाः यस्य/चत्वारः वर्णाः)
विश्वरूपम्universal-formed
विश्वरूपम्:
Karta (कर्ता)
TypeAdjective
Rootविश्व-रूप (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति, एकवचन; कर्मधारय (विश्वं रूपं यस्य/यत्)
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयार्थक (conjunction)
कारणम्cause
कारणम्:
Karta (कर्ता)
TypeNoun
Rootकारण (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति, एकवचन
सूर्यमात्राहतम्struck/affected by the solar mātrā
सूर्यमात्राहतम्:
Karta (कर्ता)
TypeAdjective
Rootसूर्य-मात्रा-हत (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति, एकवचन; तृतीया-तत्पुरुष (सूर्यमात्रया हतम् = struck/affected by the solar mātrā)
ब्रह्मणिin Brahman
ब्रह्मणि:
Adhikarana (अधिकरण)
TypeNoun
Rootब्रह्मन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति, एकवचन
अङ्गानिlimbs/parts
अङ्गानि:
Karma (कर्म)
TypeNoun
Rootअङ्ग (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति, बहुवचन
इहhere
इह:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootइह (अव्यय)
Formअव्यय; देशवाचक (adverb of place)
तुbut/indeed
तु:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; विरोध/विशेषणार्थक (particle: but/indeed)
पूर्ववत्as before
पूर्ववत्:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootपूर्ववत् (अव्यय)
Formअव्यय; उपमान/रीतिवाचक (adverb: as before)

Lord Agni (instructing the sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Constructing a four-mātrā/akṣara mantra ending in namaḥ, then performing brahmāṅga-nyāsa (limb-installation) under the qualifier of sūrya-mātrā for empowerment and protection.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Caturvarṇa-mantra ending in Namaḥ and Brahmāṅga-nyāsa with Sūrya-mātrā","lookup_keywords":["namaḥ","caturvarṇa","viśvarūpa","kāraṇa","brahmāṅga-nyāsa"],"quick_summary":"The mantra is defined as fourfold in syllabic measure, universal and causal, ending with namaḥ; empowered by sūrya-mātrā, it is applied through brahman-limb nyāsa as earlier taught."}

Concept: Kāraṇa-bhāva of mantra: the mantra is treated as causal seed of viśvarūpa, stabilized by namaḥ (surrender) and energized by solar measure (sūrya-mātrā).

Application: End the mantra with namaḥ to seal humility/śaraṇāgati; perform aṅga-nyāsa consistently ‘as previously’ to maintain ritual continuity and efficacy.

Khanda Section: Mantra-nyasa and Brahmanga-nyasa (Tantric ritual preliminaries)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A ritual diagram-like scene: the mantra ending ‘namaḥ’ written, four syllabic units marked, rays of the sun indicating sūrya-mātrā, and a practitioner touching limbs in sequence for brahmāṅga-nyāsa.","kerala_mural_prompt":"Kerala mural, priest with right hand performing aṅga-nyāsa touches (head, heart, etc.), sun-disc above emitting measured rays, stylized Sanskrit ‘namaḥ’ at the end of a mantra band, temple interior setting","tanjore_prompt":"Tanjore style, gold sun halo with radiating lines marking mātrā, priest adorned, embossed mantra strip ending in ‘namaḥ’, rich ornamentation, devotional yet instructional composition","mysore_prompt":"Mysore painting, clean instructional panels: four akṣara blocks, ‘namaḥ’ seal, limb-touch sequence shown with subtle arrows, soft pastel palette and fine outlines","mughal_miniature_prompt":"Mughal miniature, scholar-priest in a study with a manuscript showing four marked syllables and ‘namaḥ’, sun motif in the margin, attendant holding a ritual tray, precise calligraphy aesthetics"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Suryakant (or a bright morning raga such as Lalit)","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: नमो ऽन्तः = नमः + अन्तः; स्याच् = स्यात् + (च); विश्वरूपञ्च = विश्वरूपम् + च; ब्रह्मण्यङ्गानि = ब्रह्मणि + अङ्गानि; सूर्यमात्राहतम् = सूर्य + मात्रा + आहतम्.

Related Themes: Agni Purana 317.2; Agni Purana 317.4; Agni Purana brahmāṅga-nyāsa ‘pūrvavat’ instructions in the same khanda

B
Brahman
S
Sūrya

FAQs

It specifies mantra-structure (ending in “namaḥ”, four phonemic units) and instructs performing Brahman-related aṅga-nyāsa, with a technical qualifier called “sūrya-mātrā”, following an earlier stated method.

Beyond mythology, it preserves practical ritual technology—precise mantra morphology, metrical/phonemic measures (mātrā), and standardized nyāsa steps—showing the Agni Purana’s role as a manual of applied liturgy and mantra-śāstra.

Correct mantra-ending and limb-nyāsa are taught as safeguards for ritual correctness, aiming at purification, focused deity-identification, and the successful activation (siddhi) of the intended worship practice.