Agni Purana — Mantra-shastra, Shloka 16

Derivation

Uddhāra) of the Sakalādi Mantra (सकलादिमन्त्रोद्धारः

Devanagari script

औषधाक्रान्तशिरसमूहकस्योपरिस्थितं अर्धचन्द्रोर्धनादश् च विन्दुद्वितयमध्यगं

Transliteration

auṣadhākrāntaśirasamūhakasyoparisthitaṃ ardhacandrordhanādaś ca vindudvitayamadhyagaṃ

Translation

auṣadha ဖြင့်အစပြုသော ခေါင်းအက္ခရာအုပ်စု၏အပေါ်တွင် လကွဲ (အর্ধချန္ဒ្រ) နှင့် အර්ဓနာဒ ကိုထား၍ bindu အစက်နှစ်စက်ကြားတွင် တည်ရှိသည်။

Word by Word

• औषधाक्रान्तशिरसमूहकस्य: of the cluster of heads overrun by herbs
• औषधाक्रान्तशिरसमूहकस्य: सम्बन्ध (षष्ठी/Genitive relation)
• Type: Noun
• Root: औषध-आक्रान्त-शिरस्-समूहक (प्रातिपदिक)
• Form: षष्ठीविभक्ति (6th/षष्ठी), एकवचन (Singular), पुल्लिङ्ग (Masculine); समासः—औषधया आक्रान्तः शिरसां समूहकः (genitive relation)

• उपरिस्थितम्: placed above / situated on top
• उपरिस्थितम्: विशेषण (Adjectival qualifier)
• Type: Adjective
• Root: उपरि-स्थित (√स्था धातु, क्त/कृदन्त)
• Form: क्त-प्रत्ययान्त कृदन्त (past passive participle), नपुंसकलिङ्ग (Neuter), प्रथमा/द्वितीया विभक्ति (Nom/Acc), एकवचन (Singular); अव्ययीभावः—उपरि + स्थित

• अर्धचन्द्र: half-moon
• अर्धचन्द्र: कर्म (Karma/Object)
• Type: Noun
• Root: अर्ध-चन्द्र (प्रातिपदिक)
• Form: प्रथमा/द्वितीया विभक्ति (Nom/Acc), एकवचन (Singular), पुल्लिङ्ग (Masculine); कर्मधारयः—अर्धः चन्द्रः (half-moon)

• ऊर्धनादः: the upward sound
• ऊर्धनादः: कर्ता (Karta/Subject)
• Type: Noun
• Root: ऊर्ध-नाद (प्रातिपदिक)
• Form: प्रथमा विभक्ति (1st/प्रथमा), एकवचन (Singular), पुल्लिङ्ग (Masculine); तत्पुरुषः—ऊर्ध्वः नादः (raised/upward sound)

• च: and
• च: समुच्चय (Connector)
• Type: Indeclinable
• Root: च (अव्यय)
• Form: समुच्चयबोधक अव्यय (conjunction)

• विन्दुद्वितयमध्यगम्: situated between the pair of dots (bindus)
• विन्दुद्वितयमध्यगम्: विशेषण (Adjectival qualifier)
• Type: Adjective
• Root: विन्दु-द्वितय-मध्य-ग (√गम् धातु, क्त/कृदन्त)
• Form: क्त-प्रत्ययान्त कृदन्त (past passive participle), नपुंसकलिङ्ग (Neuter), प्रथमा/द्वितीया विभक्ति (Nom/Acc), एकवचन (Singular); तत्पुरुषः—विन्दुद्वितयस्य मध्ये गतम् (gone/placed in the middle of two bindus)

Speaker

Lord Agni (teaching to sage Vasiṣṭha in the Agni Purana’s encyclopedic instruction style)

Vidya Category

Vidya Category: {"primary_vidya":"Alamkara","secondary_vidya":"Vyakarana","practical_application":"Use in chandas/varna-mātrikā notation: placing diacritic-like marks (ardhacandra, ardhanāda, bindu) over specified letter-groups to encode pronunciation/seed-syllable formation for recitation and manuscript writing.","sutra_style":true}

Encyclopedic Reference

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Ardhacandra–Ardhanāda placement between bindus in mātrikā notation","lookup_keywords":["ardhacandra","ardhanāda","bindu","mātrikā-lakṣaṇa","śirovarṇa"],"quick_summary":"Defines how the half-moon and ardhanāda marks are positioned above a specified head-letter cluster, specifically between two bindus, to standardize phonetic/seed-syllable notation."}

Philosophical Teaching

Concept: Śabda as a regulated system: correct sign-placement preserves mantra/chandas efficacy and meaning.

Application: Apply standardized marking to avoid svara/uccāraṇa errors in teaching, copying, and ritual recitation.

Khanda Section

Khanda Section: Sahitya-shastra (Chandas/Varna/Matrika-Lakshana: prosody and phonetic-symbolic notation)

Verse Rasa

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues

Visual Art Cues: {"scene_description":"A manuscript-like diagram: a cluster of head-letters with a half-moon mark and an ardhanāda sign placed above, centered between two bindu dots.","kerala_mural_prompt":"Kerala mural style, palm-leaf manuscript aesthetic, ochre background, black ink-like letter cluster, two bindu dots with a white half-moon and subtle ardhanāda flourish above, temple-scribe ambiance.","tanjore_prompt":"Tanjore painting, gold-leaf highlights on the half-moon and bindus, stylized Sanskrit letter cluster on a rich red ground, ornamental borders like a yantra panel.","mysore_prompt":"Mysore painting, clean instructional diagram, fine lines, labeled Sanskrit glyphs, emphasis on correct placement of ardhacandra and ardhanāda between two bindus.","mughal_miniature_prompt":"Mughal miniature, court scribe illustrating a Sanskrit phonetic diagram on paper, delicate brushwork, the two bindus and half-moon sign clearly centered above the letter cluster."}

Audio Atmosphere

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Raga Bhairav","pace":"slow","voice_tone":"instructional"}

Sandhi Resolution Notes

Sandhi Resolution Notes: औषधाक्रान्तशिरसमूहकस्य + उपरिस्थितम् → औषधाक्रान्तशिरसमूहकस्योपरिस्थितम्; अर्धचन्द्र + ऊर्धनादः → अर्धचन्द्रोर्धनादः (स्वर-सन्धि); विन्दु + द्वितय + मध्यगम् → विन्दुद्वितयमध्यगम् (समास/सन्धि)

Cross References

Related Themes: Agni Purana 316 (mātrikā/yantra/mantra-lakṣaṇa sequence)

Characters & Entities

• Agni Purana
• Ardhacandra
• Ardhanāda
• Bindu

FAQs

What technical or ritual knowledge (Vidya) is imparted in this verse?

It gives a technical rule for placing phonetic/orthographic signs—specifically the ardhacandra and ardhanāda—above a specified letter-group, positioned between two bindus.

How does this verse contribute to the 'Encyclopedic' nature of the Agni Purana?

Beyond theology and ritual, the Agni Purana preserves śāstric details of Sanskrit learning—here, manuscript-style phonetic/diacritic conventions tied to chandas/varṇa instruction—showing its coverage of linguistic sciences.

What is the spiritual or karmic significance of this specific instruction?

Accurate phonetic marking supports correct recitation and transmission of sacred texts; in the traditional view, textual fidelity safeguards mantra efficacy and the merit (puṇya) of study and chanting.