Trailokya-mohinī Śrī-Lakṣmī-ādi-pūjā and Durgā-yoga
Protective and Siddhi Rites
दक्षिणाभयहस्ताभां वामहस्तवरप्रदां श्वेतगन्धांशुकामेकरौम्यमालास्त्रधारिणीं
dakṣiṇābhayahastābhāṃ vāmahastavarapradāṃ śvetagandhāṃśukāmekaraumyamālāstradhāriṇīṃ
ညာလက်များဖြင့် အဘယမုဒ္ရာ (ကြောက်မက်ခြင်းကင်း) ကိုပြ၍၊ ဘယ်လက်ဖြင့် ကောင်းချီးပေးသည်။ အဖြူရောင် အနံ့သင်းသော ဝတ်စုံကိုဝတ်ဆင်ကာ၊ မင်္ဂလာပန်းမော်လီတစ်စင်းနှင့် လက်နက်များကို ကိုင်ဆောင်ထားသည်။
Lord Agni (in discourse to Sage Vasiṣṭha)
Vidya Category: {"primary_vidya":"Shilpa","secondary_vidya":"Stotra","practical_application":"Devi-dhyana for puja: visualize the correct mudras, dress, ornaments, and weapons before worship and mantra-japa.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Description","entry_title":"Devi/Durga Dhyana-Lakshana: Abhaya–Varada, Shveta-vastra, Mala, Astra","lookup_keywords":["Durga dhyana","abhaya mudra","varada mudra","shveta vastra","astra-dharini"],"quick_summary":"The verse gives a compact iconographic template for meditating on the Goddess: right hand(s) in abhaya, left granting boons, white fragrant garments, auspicious garland, and weapons—used as the mental image prior to worship."}
Concept: Dhyana as the foundation of effective puja: form-visualization (rupa) stabilizes devotion and intention (sankalpa).
Application: Use the described form as the standardized mental image during āvāhana and japa to maintain ekāgratā (one-pointedness).
Khanda Section: Puja-vidhi (Devi/Durga iconography and dhyana-lakshana)
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A serene Devi/Durga seated or standing, right hand in abhaya, left in varada, wearing white fragrant garments, a single auspicious garland, and holding weapons; aura of protection and blessing.","kerala_mural_prompt":"Kerala temple mural style, Devi/Durga with abhaya and varada mudras, white garments with subtle floral perfume motifs, single garland, multiple weapons, flat vibrant colors, ornate jewelry, sacred halo, symmetrical composition","tanjore_prompt":"Tanjore painting, Devi/Durga with abhaya-varada, white silk attire, heavy gold ornaments and embossed prabhavali, single garland, weapons rendered with gold highlights, rich red-green background, devotional icon panel","mysore_prompt":"Mysore painting, refined linework, soft shading, Devi/Durga in white garments, clear depiction of abhaya and varada, single garland, weapons neatly arranged, calm face, minimal background with decorative arch","mughal_miniature_prompt":"Mughal miniature, goddess figure with delicate facial features, white perfumed robe, single garland, weapons in hands, fine textile patterns, subtle halo, courtly palette, detailed borders"}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"devotional"}
Sandhi Resolution Notes: दक्षिणाभयहस्ताभां = dakṣiṇa-abhaya-hastābhyām; वामहस्तवरप्रदां = vāma-hasta-vara-pradām; श्वेतगन्धांशुकामेकरौम्यमालास्त्रधारिणीं treated as a multi-member tatpuruṣa compound ending in धारीणीम्.
Related Themes: Agni Purana 307 (Puja-vidhi: Devi-dhyana and abhyarcana context)
It gives dhyāna-lakṣaṇa (meditation/iconographic specification) for the Devī image: abhaya-mudrā, vara-pradāna (boon-giving hand), white fragrant garments, and the carrying of garland and weapons—used for pratimā-nirmāṇa and pūjā visualization.
Alongside governance, medicine, and warfare, the Agni Purana also preserves precise temple-ritual and iconography manuals; this verse is a compact specification for how a Goddess form should be visualized and represented in worship and image-making.
Meditating on the Devī as fear-dispelling (abhaya) and boon-bestowing (vara-pradā) supports protection, confidence, and devotional merit, aligning the worshipper’s mind with her auspicious and safeguarding power.