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Agni Purana — Dharma-shastra, Shloka 25

Chapter 168 — महापातकादिकथनम्

Exposition of Great Sins and Related Topics

अनृते च समुत्कर्षो राजगामि च पैशुनं गुरोश्चालीकनिर्बन्धः समानं ब्रह्महत्यया

anṛte ca samutkarṣo rājagāmi ca paiśunaṃ guroścālīkanirbandhaḥ samānaṃ brahmahatyayā

မုသားအပေါ် အခြေခံသော ကိုယ်ကိုယ်တင်မြှောက် အလွန်အကျွံအော်ဟစ်ခြင်း၊ မင်းထံတိုင်ကြားသွားသော အပြစ်တင်ပြောဆိုခြင်း (ရာဇအာဏာရှေ့၌ အမုန်းတရားဖြန့်ခြင်း)၊ မကောင်းကြံ၍ နောက်ကွယ်မှ ပြောဆိုပုတ်ခတ်ခြင်း၊ နှင့် ကိုယ့်ဂုရုအပေါ် မုသားစွပ်စွဲချက်ကို မပြတ်တမ်း ချည်နှောင်တင်ဆက်ခြင်း—ဤတို့ကို ဘြာဟ္မဏသတ်ခြင်း (brahmahatyā) နှင့် တူညီသော အပြစ်ဟု ဆိုကြသည်။

anṛtein falsehood / in lying
anṛte:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootanṛta (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/locative), एकवचन; अधिकरण (in the matter of)
caand
ca:
Avyaya (अव्यय)
TypeIndeclinable
Rootca (अव्यय)
Formअव्यय; समुच्चयबोधक
samutkarṣaḥexaggeration/boasting
samutkarṣaḥ:
Karta (कर्ता)
TypeNoun
Rootsamutkarṣa (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन
rāja-gāmiinforming/accusing to the king
rāja-gāmi:
Karta (कर्ता)
TypeNoun
Rootrājan + gāmin (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन; तत्पुरुषसमास; (as noun) ‘that which goes to the king’
caand
ca:
Avyaya (अव्यय)
TypeIndeclinable
Rootca (अव्यय)
Formअव्यय; समुच्चयबोधक
paiśunamslander / tale-bearing
paiśunam:
Karta (कर्ता)
TypeNoun
Rootpaiśuna (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st), एकवचन
guroḥof the teacher
guroḥ:
Sambandha (सम्बन्ध/Genitive)
TypeNoun
Rootguru (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/genitive), एकवचन
caand
ca:
Avyaya (अव्यय)
TypeIndeclinable
Rootca (अव्यय)
Formअव्यय; समुच्चयबोधक
ālīka-nirbandhaḥfalse accusation/insistent false charge
ālīka-nirbandhaḥ:
Karta (कर्ता)
TypeNoun
Rootālīka + nirbandha (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; तत्पुरुषसमास
samānamequal (in gravity)
samānam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootsamāna (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन; विशेषण (predicate)
brahma-hatyayāto brahmin-killing
brahma-hatyayā:
Upamāna/Comparison (तुलना)
TypeNoun
Rootbrahman + hatyā (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (3rd/instrumental), एकवचन; तत्पुरुषसमास; तुलना-निर्देशे (instrument of comparison)

Lord Agni (in discourse to Sage Vasiṣṭha, as typical for Agni Purana narration)

Vidya Category: {"primary_vidya":"Dharmashastra","secondary_vidya":"Arthashastra","practical_application":"Ethical-legal guidance on speech crimes (false boasting, slander to the king, malicious backbiting, false accusation against guru) and their karmic equivalence, informing courtroom/royal-assembly conduct and personal restraint.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Speech-offences equated with brahmahatyā","lookup_keywords":["anṛta","paiśunya","rājagāmi","guru-apavāda","brahmahatyā-samatā"],"quick_summary":"Certain grave abuses of speech—false self-exaltation, slander carried to royal authority, malicious backbiting, and persistent false charges against one’s guru—are declared karmically equivalent to brahmin-slaying."}

Concept: Vāk-karma (speech as action) can be as destructive as physical violence; betrayal of guru and weaponized falsehood are treated as extreme adharma.

Application: Adopt truthfulness, avoid calumny, and treat testimony/complaints as sacred responsibilities—especially in royal/legal settings.

Khanda Section: Rajadharma & Nyaya (Ethics, crimes, and their karmic equivalences)

Primary Rasa: raudra

Secondary Rasa: bhayanaka

Type: Kingdom

Visual Art Cues: {"scene_description":"A royal court scene where a slanderer speaks before the king; a guru sits nearby as a target of false accusation; a moral teacher gestures to restrain harmful speech.","kerala_mural_prompt":"Kerala mural, palace hall with king on throne, a figure whispering accusations, guru seated with composed dignity, dharma-teacher raising a hand in prohibition, bold lines and expressive faces.","tanjore_prompt":"Tanjore painting, central king in ornate throne, foreground petitioner with accusatory gesture, guru figure with halo-like dignity, gold work on throne and ornaments, moral contrast through color.","mysore_prompt":"Mysore style, clear courtroom composition: king, scribe, witnesses, accused guru; emphasis on didactic clarity and controlled expressions, soft palette.","mughal_miniature_prompt":"Mughal miniature, detailed durbar with courtiers, a backbiter leaning in, calligraphed speech scroll motif, refined textiles and architecture, subtle moral tension."}

Audio Atmosphere: {"recitation_mood":"stern","suggested_raga":"Todi","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: guroścālīkanirbandhaḥ → guroḥ ca ālīka-nirbandhaḥ; brahmahatyayā → brahma-hatyayā.

Related Themes: Agni Purana 168 (ethical gradations of sins; rājadharma-linked offences)

A
Agni
G
Guru
R
Raja (king)
B
Brahmahatya (brahmin-slaying)

FAQs

It imparts dharma-vidyā concerning vāṅmaya-doṣa (sins of speech): lying-based self-glorification, slander escalated to royal authority, malicious tale-bearing, and persistent false accusation against one’s guru—classified as extremely grave offenses.

By cataloging and ranking moral-legal transgressions (especially speech-based harms) and equating them with major sins like brahmahatyā, it functions like a dharma/nyāya compendium embedded within the Purana’s wide-ranging subjects.

It warns that weaponizing false speech—especially against a guru or through royal channels—creates karma as severe as brahmin-slaying, emphasizing truthfulness, restraint, and protection of teacher-disciple sanctity.