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Agni Purana — Agneya-vidya, Shloka 26

Chapter 34 — होमादिविधिः

The Procedure for Homa and Related Rites

अर्घ्योदकेन सम्प्रोक्ष्य योनिमुद्राम्प्रदर्शयेत् ध्यात्वाग्निरूपञ्चाग्निन्तु योन्यां कुण्डे क्षिपेन्नरः

arghyodakena samprokṣya yonimudrāmpradarśayet dhyātvāgnirūpañcāgnintu yonyāṃ kuṇḍe kṣipennaraḥ

အရ္ဃျရေ (arghya-water) ဖြင့် နေရာနှင့် ကိရိယာများကို ပက်ဖျန်းသန့်စင်ပြီးနောက်၊ ယိုးနီမုဒြာ (Yoni-mudrā) ကို ပြသရမည်။ ထို့နောက် အဂ္နိ (Agni) ၏ ရုပ်သဏ္ဌာန်ကို စိတ်တွင် သမားတော်မူ၍၊ မီးကို ယိုးနီ (yoni) အရင်း/ခံကန်ထဲသို့ ထည့်သွင်းကာ ကုဏ္ဍ (kuṇḍa) မီးကန်ထဲသို့ ချရမည်။

अर्घ्य-उदकेनwith arghya-water
अर्घ्य-उदकेन:
करण (Karaṇa/Instrument)
TypeNoun
Rootअर्घ्य-उदक (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया विभक्ति (Instrumental/करण), एकवचन; समासः तत्पुरुषः (अर्घ्यस्य उदकम्)
सम्प्रोक्ष्यhaving sprinkled
सम्प्रोक्ष्य:
पूर्वकाल क्रिया (Pūrvakāla-kriyā)
TypeVerb
Rootसम्-प्र-√उक्ष्/√प्रोक्ष् (धातु)
Formकृदन्त; ल्यबन्त (absolutive/gerund), ‘having sprinkled’; उपसर्गाः सम्+प्र
योनि-मुद्राम्the yoni-mudrā (gesture)
योनि-मुद्राम्:
कर्म (Karma/Object)
TypeNoun
Rootयोनि-मुद्रा (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया विभक्ति (Accusative/कर्म), एकवचन; समासः तत्पुरुषः (योन्याः मुद्रा)
प्रदर्शयेत्should show/display
प्रदर्शयेत्:
विधेय क्रिया (Kriyā/क्रिया)
TypeVerb
Rootप्र-√दृश् (धातु)
Formविधिलिङ् (Optative/विध्यर्थ), परस्मैपद, प्रथमपुरुष (3rd person), एकवचन; णिच्-प्रयोजक (causative)
ध्यात्वाhaving meditated
ध्यात्वा:
पूर्वकाल क्रिया (Pūrvakāla-kriyā)
TypeVerb
Root√ध्यै (धातु)
Formकृदन्त; क्त्वान्त (absolutive/gerund), ‘having meditated’
अग्नि-रूपम्the form of Agni
अग्नि-रूपम्:
कर्म (Karma/Object)
TypeNoun
Rootअग्नि-रूप (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया विभक्ति (Accusative/कर्म), एकवचन; समासः तत्पुरुषः (अग्नेः रूपम्)
and
:
सम्बन्ध/निपात (Conjunction)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयबोधक
अग्निम्Agni (fire)
अग्निम्:
कर्म (Karma/Object)
TypeNoun
Rootअग्नि (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया विभक्ति (Accusative/कर्म), एकवचन
तुthen/indeed
तु:
सम्बन्ध/निपात (Particle)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; विरोध/विशेष (but/indeed)
योन्याम्in the yoni (yoni-shaped place)
योन्याम्:
अधिकरण (Adhikaraṇa/Location)
TypeNoun
Rootयोनि (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी विभक्ति (Locative/अधिकरण), एकवचन
कुण्डेin the fire-pit
कुण्डे:
अधिकरण (Adhikaraṇa/Location)
TypeNoun
Rootकुण्ड (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी विभक्ति (Locative/अधिकरण), एकवचन
क्षिपेत्should place/throw
क्षिपेत्:
विधेय क्रिया (Kriyā/क्रिया)
TypeVerb
Root√क्षिप् (धातु)
Formविधिलिङ् (Optative/विध्यर्थ), परस्मैपद, प्रथमपुरुष (3rd person), एकवचन
नरःthe man (practitioner)
नरः:
कर्ता (Kartā/Agent)
TypeNoun
Rootनर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा विभक्ति (Nominative/कर्ता), एकवचन

Lord Agni (in dialogue with Sage Vasiṣṭha, Agni Purana’s standard narration frame)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Homa ignition/installation protocol: sprinkle with arghya-water for śuddhi, show yoni-mudrā, meditate on Agni’s form, then establish/introduce fire into the yoni-holder and into the kuṇḍa for the rite.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Arghya-prokṣaṇa, Yoni-mudrā, and Agni-sthāpana in Kuṇḍa","lookup_keywords":["yoni-mudrā","prokṣaṇa","arghya-udaka","agni-dhyāna","kuṇḍa"],"quick_summary":"Purify the locus with arghya-water, seal/authorize the rite with yoni-mudrā, visualize Agni, and then install the fire into its source-holder and the fire-pit to commence homa."}

Concept: Ritual action is empowered by inner visualization: dhyāna of Agni and mudrā together ‘install’ sacred agency into the material fire.

Application: Before lighting/placing fire, perform prokṣaṇa and mudrā, then consciously visualize Agni; treat ignition as a consecration, not mere kindling.

Khanda Section: Puja-vidhi (Agni-vidhi / Homa-prayoga)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A homa setup: the practitioner sprinkles arghya-water around the kuṇḍa, forms yoni-mudrā with hands, visualizes Agni, then places the kindled fire into the yoni-holder and transfers it into the fire-pit where flames rise.","kerala_mural_prompt":"Kerala mural, glowing kuṇḍa with stylized flames, priest sprinkling water with spoon, hands forming yoni-mudrā, faint divine Agni form emerging in aura, deep reds and browns, lamp-lit sanctity.","tanjore_prompt":"Tanjore painting, Agni as radiant deity above the kuṇḍa with gold leaf halo, priest performing yoni-mudrā, arghya-water sprinkling captured as pearls, ornate ritual vessels, rich gold detailing.","mysore_prompt":"Mysore style, stepwise instructional scene: prokṣaṇa around kuṇḍa, yoni-mudrā hand diagram inset, Agni-dhyāna icon inset, then fire placed into yoni and kuṇḍa, clean composition.","mughal_miniature_prompt":"Mughal miniature, detailed homa pavilion, priest sprinkling water, precise hand gesture for yoni-mudrā, attendants holding firebrand and vessels, flames rendered naturalistically, subtle divine Agni apparition."}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: arghyodakena → arghya-udakena; yonimudrāmpradarśayet → yoni-mudrām pradarśayet; dhyātvāgnirūpaṃ → dhyātvā agni-rūpam; -ñcāgnintu → ca agnim tu; kṣipennaraḥ → kṣipet naraḥ.

Related Themes: Agni Purana 34 (Agni-vidhi/homa-prayoga; mudrā and dhyāna steps)

A
Agni
A
Arghya
Y
Yoni-mudra
K
Kunda (homa-pit)

FAQs

It teaches a concrete homa sequence: purification by sprinkling with arghya-water, performing the Yoni-mudrā, visualizing Agni’s form (dhyāna), and ritually installing/introducing the consecrated fire into the designated seat and into the homa-kuṇḍa.

Beyond theology, it preserves hands-on liturgical technology—specific actions (samprokṣaṇa), mudrā-usage, visualization, and fire-handling—showing the text’s coverage of practical ritual science alongside broader Purāṇic narrative and doctrine.

The sprinkling and mudrā establish ritual purity and correct ‘installation’ (saṃskāra) of Agni; meditative visualization aligns the performer’s intention with the deity, making the offering act efficacious and merit-bearing (puṇya) rather than merely physical fire-lighting.