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Agni Purana — Agneya-vidya, Shloka 7

Sargaviṣayaka-varṇana — The Topics of Primary Creation

Sarga

ख्यात्याद्या दक्षकन्यास्तु भृग्वाद्या उपयेमिरे नित्यो नैमित्तकः सर्गस्त्रिधा प्रकथितो जनैः

khyātyādyā dakṣakanyāstu bhṛgvādyā upayemire nityo naimittakaḥ sargastridhā prakathito janaiḥ

ချာတီ (Khyāti) စသည့် ဒက္ခ (Dakṣa) ၏ သမီးများကို ဘೃဂု (Bhṛgu) စသည့် ရှင်သန်သူ ရှင်တော်များက လက်ထပ်ယူကြသည်။ ဖန်ဆင်းခြင်း (sarga) ကို လူတို့က သုံးမျိုးဟု ဆိုကြသည်—နိတျယ (nitya) အမြဲတမ်း၊ နೈမိတ္တိက (naimittika) အခါအားလျော်စွာ၊ နှင့် တတိယမှာ ပရာကೃತ/ဓာတုဆိုင်ရာ ဖန်ဆင်းခြင်း ဖြစ်သည်။

ख्याति-आद्याःKhyāti and others
ख्याति-आद्याः:
Karta (कर्ता/Subject)
TypeNoun
Rootkhyāti (प्रातिपदिक) + ādi (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन; तत्पुरुषः—‘ख्यातिः आदिः यसाम्’ (khyāti etc.)
दक्ष-कन्याःdaughters of Dakṣa
दक्ष-कन्याः:
Karta (कर्ता/Subject)
TypeNoun
Rootdakṣa (प्रातिपदिक) + kanyā (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन; षष्ठी-तत्पुरुषः—‘दक्षस्य कन्याः’
तुindeed/but
तु:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Roottu (अव्यय)
Formअव्यय, निपात
भृगु-आद्याःBhṛgu and others
भृगु-आद्याः:
Karta (कर्ता/Subject)
TypeNoun
Rootbhṛgu (प्रातिपदिक) + ādi (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; तत्पुरुषः—‘भृगुः आदिः येषाम्’
उपयेमिरेmarried/took (as wives)
उपयेमिरे:
Kriya (क्रिया)
TypeVerb
Rootupa + √yam (धातु)
Formलिट् (perfect), प्रथमपुरुष (3rd person), बहुवचन; परस्मैपद; √यम् ‘to take’ with उप- = ‘to marry/take as wife’
नित्यःconstant/perpetual
नित्यः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootnitya (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; विशेषण (of sargaḥ)
नैमित्तकःoccasional/periodic
नैमित्तकः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootnaimittaka (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; विशेषण (of sargaḥ)
सर्गःcreation
सर्गः:
Karta (कर्ता/Subject)
TypeNoun
Rootsarga (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
त्रिधाin three ways
त्रिधा:
Sambandha (सम्बन्ध/adverbial)
TypeIndeclinable
Roottridhā (अव्यय)
Formअव्यय, प्रकारवाचक (adverb: in three ways)
प्रकथितःis described
प्रकथितः:
Kriya (क्रिया/predicative)
TypeVerb
Rootpra + kath (धातु) → prakathita (कृदन्त)
Formभूतकर्मणि कृदन्त (past passive participle), पुंलिङ्ग, प्रथमा, एकवचन; ‘has been described’
जनैःby people
जनैः:
Karta (कर्ता/Agent in passive)
TypeNoun
Rootjana (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया, बहुवचन

Lord Agni (narrating the Purāṇic cosmology to Vasiṣṭha, in the standard Agni Purāṇa dialogue frame)

Vidya Category: {"primary_vidya":"Cosmology","secondary_vidya":"Dharmashastra","practical_application":"Connects genealogical myth (Dakṣa’s daughters and ṛṣi marriages) to the mechanics of ongoing creation, and introduces the threefold creation model (nitya/naimittika/prākṛta) used to interpret cycles and duties.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Description","entry_title":"Dakṣa-Kanyā Vivāha and the Threefold Sarga (Nitya–Naimittika–Prākṛta)","lookup_keywords":["Dakṣa-kanyā","Khyāti","Bhṛgu","nitya-sarga","naimittika-sarga"],"quick_summary":"Notes the marriages of Dakṣa’s daughters (beginning with Khyāti) to sages (beginning with Bhṛgu) as a generative link in cosmic population, and states that creation is taught as threefold: constant, occasional, and elemental/primordial."}

Concept: Cosmic continuity is sustained through ordered relations (vivāha, prajā-santāna) and through cyclic models of creation (nitya/naimittika/prākṛta).

Application: Read social institutions (marriage, lineage, ritual timing) as mirrors of cosmic order; apply the nitya/naimittika distinction to daily vs. periodic duties (nitya-karma vs. naimittika-karma).

Khanda Section: Sarga-Prakriya (Cosmology: types of creation)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A genealogical court-like scene: Dakṣa presenting daughters (Khyāti foremost) to sages like Bhṛgu in marriage, with a subtle cosmic backdrop indicating that these unions generate worlds; alongside, a tri-part diagram labeled nitya, naimittika, prākṛta.","kerala_mural_prompt":"Kerala mural, Dakṣa in regal posture, daughters in traditional attire, sages with matted hair; ceremonial marriage gestures; background bands showing three creation modes as symbolic motifs; bold outlines and temple palette.","tanjore_prompt":"Tanjore, wedding tableau with gold ornamentation, Dakṣa and sages richly adorned, daughters with gold jewelry; side panel with three labeled medallions for nitya/naimittika/prākṛta; heavy gold work.","mysore_prompt":"Mysore painting, didactic composition: marriage scene plus a neat tri-fold chart; fine detailing of ritual items (water pot, garlands), clear labels, soft colors.","mughal_miniature_prompt":"Mughal miniature, refined assembly with Dakṣa’s court, sages receiving brides, intricate textiles; marginal genealogical notes; a small inset diagram showing threefold sarga."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Shri","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: ख्यात्याद्या = ख्याति-आद्याः; दक्षकन्यास्तु = दक्षकन्याः + तु; भृग्वाद्या = भृगु-आद्याः; सर्गस्त्रिधा = सर्गः + त्रिधा

Related Themes: Agni Purana cosmology-genealogy passages (prajā-sarga context); Agni Purana dharma sections on nitya/naimittika karmas (where present)

D
Dakṣa
K
Khyāti
B
Bhṛgu
S
Sarga (creation)

FAQs

It imparts cosmological taxonomy: the Purāṇic classification of creation (sarga) into categories such as nitya (ongoing/constant) and naimittika (occasional, triggered by a specific occasion), framing how the universe’s cycles are described.

It combines genealogical data (Dakṣa’s daughters and their marriages to sages like Bhṛgu) with a technical doctrinal classification (types of sarga), illustrating how the Agni Purāṇa catalogs both lineage-traditions and systematic cosmology.

By situating beings and lineages within an ordered scheme of creation, the verse supports a dharmic worldview: understanding cosmic order (sṛṣṭi-krama) is treated as a basis for right conduct and for seeing one’s life within cyclical, divinely structured time.