HomeVaraha PuranaAdhyaya 94Shloka 20
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Varaha Purana 94.20: Adhyaya 94, Shloka 20

The Birth of Mahiṣāsura and the Goddess’s Victory as Mahīṣamardinī

एवमुक्तो गतो दूतस्तावद् व्योम्नि महामुनिः । आयातो नारदस्तूर्णं नृत्यन्नुच्चैर्महातपाः ॥

Sanskrit recitationVaraha Purana 94.20

evam ukto gato dūtas tāvad vyomni mahāmuniḥ | āyāto nāradas tūrṇaṃ nṛtyann uccair mahātapāḥ

Setelah demikian dikatakan, utusan itu pun berangkat. Sementara itu, di angkasa Mahāmuni Nārada datang dengan segera, menari-nari sambil berseru lantang—dialah pertapa besar.

एवम्thus
एवम्:
क्रियाविशेषण (Adverbial modifier)
TypeIndeclinable
Rootएवम् (अव्यय)
Formअव्यय (adverb), प्रकारवाचक (thus/in this manner)
उक्तःhaving been told
उक्तः:
विशेषण (to ‘dūtaḥ’)
TypeAdjective
Rootवच् (धातु) + क्त (कृत्)
Formक्त-प्रत्ययान्त भूतकृदन्त (past passive participle), प्रथमा एकवचन, पुल्लिङ्ग; ‘having been told/addressed’
गतःwent / gone
गतः:
क्रियाविशेषण/विशेषण (to ‘dūtaḥ’)
TypeAdjective
Rootगम् (धातु) + क्त (कृत्)
Formक्त-प्रत्ययान्त (PPP), प्रथमा एकवचन, पुल्लिङ्ग; ‘gone’
दूतःthe messenger
दूतः:
कर्ता (Karta/Subject)
TypeNoun
Rootदूत (प्रातिपदिक)
Formप्रथमा (1st/Nominative), एकवचन, पुल्लिङ्ग
तावत्meanwhile
तावत्:
कालाधिकरण (Temporal adverb)
TypeIndeclinable
Rootतावत् (अव्यय)
Formअव्यय (temporal adverb), ‘meanwhile/so long’
व्योम्निin the sky
व्योम्नि:
अधिकरण (Adhikarana/Location)
TypeNoun
Rootव्योमन् (प्रातिपदिक)
Formसप्तमी (7th/Locative), एकवचन, नपुंसकलिङ्ग
महामुनिःthe great sage
महामुनिः:
कर्ता (Karta/Subject)
TypeNoun
Rootमहान् (प्रातिपदिक) + मुनि (प्रातिपदिक)
Formकर्मधारय-समास; प्रथमा एकवचन, पुल्लिङ्ग
आयातःarrived
आयातः:
क्रियाविशेषण/विशेषण (to ‘nāradaḥ’)
TypeAdjective
Rootआ + या (धातु) + क्त (कृत्)
Formक्त-प्रत्ययान्त (PPP), प्रथमा एकवचन, पुल्लिङ्ग; ‘arrived/come’
नारदःNārada
नारदः:
कर्ता (Karta/Subject)
TypeNoun
Rootनारद (प्रातिपदिक)
Formप्रथमा (1st/Nominative), एकवचन, पुल्लिङ्ग
तूर्णम्quickly
तूर्णम्:
क्रियाविशेषण (Adverbial modifier)
TypeIndeclinable
Rootतूर्णम् (अव्यय)
Formअव्यय (adverb), शीघ्रार्थक (quickly)
नृत्यन्dancing
नृत्यन्:
क्रियाविशेषण/विशेषण (to ‘nāradaḥ’)
TypeAdjective
Rootनृत् (धातु) + शतृ (कृत्)
Formशतृ-प्रत्ययान्त वर्तमानकृदन्त, प्रथमा एकवचन, पुल्लिङ्ग; ‘dancing’
उच्चैःaloud / loudly
उच्चैः:
क्रियाविशेषण (Adverbial modifier)
TypeIndeclinable
Rootउच्चैः (अव्यय)
Formअव्यय (adverb), ‘aloud/on high’
महातपाःthe great ascetic
महातपाः:
कर्ता (Karta/Subject; apposition to Nārada)
TypeNoun
Rootमहत् (प्रातिपदिक) + तपस् (प्रातिपदिक)
Formकर्मधारय-समास; प्रथमा एकवचन, पुल्लिङ्ग (तपस्वी-पर्याय)

Narrator (default framework: Varāha → Pṛthivī)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"observer"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"bhakti-ethos / puranic narrative theology","core_concept":"Divine will often manifests through inspired messengers; ecstatic devotion (nṛtya, uccaiḥ-udghoṣa) can be a vehicle of truth-bearing communication.","practical_application":"Treat saintly arrivals/communications as occasions for attentiveness and inner readiness; cultivate joyful devotion alongside discernment."}

Subject Matter: ["Narrative Poetics","Sage Traditions"]

Primary Rasa: adbhuta

Secondary Rasa: hasya

Type: cosmic/liminal space

Related Themes: 94.94.28-29 (Nārada’s address and mission statement)

Visual Art Cues: {"scene_description":"A messenger has just departed; in the open sky Nārada suddenly appears, moving swiftly, dancing mid-air, calling out loudly as he descends toward the assembly.","item_prompts":["Nārada with vīṇā","dynamic dancing posture","flowing ascetic garments","open sky with light clouds","sense of speed (trailing scarf)","departing messenger in the distance"],"kerala_mural_prompt":"Kerala mural style: saturated reds/greens, stylized clouds; Nārada with vīṇā in a rhythmic dance-step, expressive eyes, bold outlines; celestial sky as flat decorative field.","tanjore_prompt":"Tanjore style: central Nārada with vīṇā, heavy jewelry/halo, gold-leaf sky accents; minimal background, emphasis on auspicious arrival.","mysore_prompt":"Mysore style: delicate shading, refined facial features; Nārada descending with gentle motion, detailed textiles, soft cloud gradations.","pahari_prompt":"Pahari style: lyrical sky, slender figure of Nārada dancing with vīṇā; cool palette, narrative distance showing the departed messenger as a small figure."}

Audio Atmosphere: {"recitation_mood":"bright, kinetic, auspicious","suggested_raga":"Hamsadhwani","pace":"medium-fast","voice_tone":"clear, ringing, slightly celebratory"}

C
Classical Literature
P
Purāṇic Narrative
S
Sanskrit Philology

FAQs

Nārada frequently serves as a narrative catalyst in Purāṇic literature, moving between worlds and triggering transitions in plot through announcements or counsel.

The setting is 'vyoman' (the sky), a cosmological space rather than a specific earthly location.

No direct ethical injunction is stated; the verse functions primarily as narrative transition and characterization.

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