HomeVaraha PuranaAdhyaya 69Shloka 18
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Varaha Purana 69.18 — Adhyaya 69, Shloka 18

Agastya’s Vision of Varuṇa as Nārāyaṇa in Ilāvṛta

विचित्रपद्मोत्पलसंवृतानि सरांसि नानाविहगाकुलानि । अम्भोजपत्रस्थितभृङ्गनादैरुद्गीतवन्तीव लयैरनेकैः । कैलासशृङ्गप्रतिमानि तीरे श्वनेकरत्नोत्पलसंचितानि । गृहाणि धन्याध्युषितानि नीचै रूपासितानि द्विजदेवविप्रैः ॥ ६९.१८ ॥

vicitra-padmotpala-saṁvṛtāni sarāṁsi nānā-vihagākulāni | ambhoja-patra-sthita-bhṛṅga-nādair udgīta-vantīva layair anekaiḥ | kailāsa-śṛṅga-pratimāni tīre śvaneka-ratnotpala-saṁcitāni | gṛhāṇi dhanyādhyuṣitāni nīcai rūpāsitāni dvija-deva-vipraiḥ || 69.18 ||

Tasik-tasik itu diliputi teratai dan utpala yang beraneka warna, serta dipenuhi burung pelbagai jenis. Dengan dengung lebah yang hinggap pada daun teratai, ia seolah-olah bernyanyi dalam banyak irama. Di tebingnya berdiri rumah-rumah menyerupai puncak Kailāsa, bertimbun utpala laksana permata; kediaman itu terletak dengan rendah hati, didiami orang yang berbahagia, dan dihiasi para resi Brahmana—dianggap “dewa” dalam kalangan yang dua kali lahir.

vicitra-padma-utpala-saṃvṛtānicovered with variegated lotuses and water-lilies
vicitra-padma-utpala-saṃvṛtāni:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootvicitra (प्रातिपदिक) + padma (प्रातिपदिक) + utpala (प्रातिपदिक) + saṃvṛta (कृदन्त-प्रातिपदिक from √vṛ)
FormNeuter Nominative Plural; Tatpuruṣa; saṃvṛta = PPP (क्त) 'covered'
sarāṃsilakes
sarāṃsi:
Karta (कर्ता)
TypeNoun
Rootsaras (प्रातिपदिक)
FormNeuter Nominative Plural (प्रथमा बहुवचन)
nānā-vihaga-ākulāniteeming with many kinds of birds
nānā-vihaga-ākulāni:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootnānā (अव्यय/प्रातिपदिक) + vihaga (प्रातिपदिक) + ākula (प्रातिपदिक)
FormNeuter Nominative Plural; Tatpuruṣa: 'crowded with various birds'
ambhoja-patra-sthita-bhṛṅga-nādaiḥwith the humming sounds of bees on lotus leaves
ambhoja-patra-sthita-bhṛṅga-nādaiḥ:
Karaṇa (करण)
TypeNoun
Rootambhoja (प्रातिपदिक) + patra (प्रातिपदिक) + sthita (कृदन्त from √sthā) + bhṛṅga (प्रातिपदिक) + nāda (प्रातिपदिक)
FormMasculine Instrumental Plural; Tatpuruṣa: 'with the sounds of bees stationed on lotus-leaves'
udgīta-vantīas if singing aloud
udgīta-vantī:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootud + gā (धातु) + -vant (प्रातिपदिक-प्रत्यय)
FormPresent participial adjective with -vant; Feminine Nominative Singular (agreeing with implied sā 'they' as a collective; poetic)
ivaas if/like
iva:
Upamā-dyotaka (उपमाद्योतक)
TypeIndeclinable
Rootiva (अव्यय)
FormAvyaya, particle of comparison (उपमा-वाचक)
layaiḥwith melodies/rhythms
layaiḥ:
Karaṇa (करण)
TypeNoun
Rootlaya (प्रातिपदिक)
FormMasculine Instrumental Plural
anekaiḥmany
anekaiḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootaneka (प्रातिपदिक)
FormMasculine Instrumental Plural (qualifying layaiḥ)
kailāsa-śṛṅga-pratimānilike the peaks of Kailāsa
kailāsa-śṛṅga-pratimāni:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootkailāsa (प्रातिपदिक) + śṛṅga (प्रातिपदिक) + pratimā (प्रातिपदिक)
FormNeuter Nominative Plural; Tatpuruṣa: 'resembling the peaks of Kailāsa'
tīreon the bank/shore
tīre:
Adhikaraṇa (अधिकरण)
TypeNoun
Roottīra (प्रातिपदिक)
FormNeuter/Masculine Locative Singular (सप्तमी एकवचन)
śva-aneka-ratna-utpala-saṃcitāniheaped with many jewels and lotuses (and dogs)
śva-aneka-ratna-utpala-saṃcitāni:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootśva (प्रातिपदिक) + aneka (प्रातिपदिक) + ratna (प्रातिपदिक) + utpala (प्रातिपदिक) + saṃcita (कृदन्त from √ci)
FormNeuter Nominative Plural; Tatpuruṣa; saṃcita = PPP (क्त) 'heaped/collected'; śva- interpreted as 'dog(s)' (śvan-) in compound context
gṛhāṇihouses
gṛhāṇi:
Karta (कर्ता)
TypeNoun
Rootgṛha (प्रातिपदिक)
FormNeuter Nominative Plural
dhanya-adhyuṣitāniinhabited by the fortunate
dhanya-adhyuṣitāni:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootdhanya (प्रातिपदिक) + adhi + vas (धातु)
FormNeuter Nominative Plural; Tatpuruṣa; adhyuṣita = PPP (क्त) from adhi+√vas 'dwelt in'
nīcaiḥlowly/below (in a low manner)
nīcaiḥ:
Kriyā-viśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootnīcais (अव्यय-प्रातिपदिक)
FormAvyaya, adverb (रीति/प्रकार)
rūpa-āsitāniadorned/occupied with beauty
rūpa-āsitāni:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootrūpa (प्रातिपदिक) + āsita (कृदन्त from √ās)
FormNeuter Nominative Plural; Tatpuruṣa; āsita = PPP (क्त) 'sat/occupied' → 'adorned/occupied by beauty' (contextual)
dvija-deva-vipraiḥby twice-borns, gods, and sages
dvija-deva-vipraiḥ:
Karaṇa (करण)
TypeNoun
Rootdvija (प्रातिपदिक) + deva (प्रातिपदिक) + vipra (प्रातिपदिक)
FormMasculine Instrumental Plural; Dvandva: 'twice-born, gods, and brāhmaṇas/sages'

Varāha (default speaker in the Varāha–Pṛthivī dialogue framework for this descriptive passage)

Varaha Avatara Context: {"is_varaha_focus":true}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"relieved","key_question":"What qualities make this realm’s landscape—lakes, birds, bees, and Kailāsa-like dwellings—an auspicious sacred habitat for the blessed and for brahmin sages?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"dharma-aesthetics / ecology of merit","core_concept":"A refined environment mirrors refined conduct; harmony of beings and beauty of waterside life reflect accumulated puṇya and sāttvika living.","practical_application":"Support sacred ecology (protect waters, groves, living beings); cultivate sāttvika habits and honor learned brahmins/sages to make one’s dwelling a ‘tīrtha-like’ space."}

Subject Matter: ["Sacred Geography","Ecology (wetlands and biodiversity)","Cultural Heritage (settlement imagery)"]

Primary Rasa: adbhuta

Secondary Rasa: śānta

Type: sacred landscape / idyllic settlement

Related Themes: Continuation into the next verse repeating the Kailāsa-like dwellings motif

Visual Art Cues: {"scene_description":"A serene lakescape thick with multicolored lotuses and lilies; birds crowd the waters; bees hum on lotus leaves like rhythmic singing; on the shore, low-set houses shaped like Kailāsa peaks, with jewel-like lotus heaps, inhabited by blessed folk and brahmin sages.","item_prompts":["variegated lotuses and water-lilies","many bird species","bees on lotus leaves","suggested ‘musical rhythm’ visualized as flowing lines","Kailāsa-peak-like houses","brahmin sages with matted hair/white garments","river/lake bank"],"kerala_mural_prompt":"Kerala mural: lush lotus lake with stylized birds; rhythmic bee-lines; shore with mountain-like houses; sages seated in calm discourse; saturated greens/pinks.","tanjore_prompt":"Tanjore: gold-highlighted lotus petals; jewel-toned ‘ratna-utpala’ heaps; ornate Kailāsa-like rooftops; sages with gilded halos; rich decorative borders.","mysore_prompt":"Mysore: delicate botanical detail; soft water reflections; gentle depiction of sages and dwellings; emphasis on elegance and serenity.","pahari_prompt":"Pahari: lyrical lakeside with bright lotuses; small birds in patterned clusters; quaint peaked houses; sages in quiet groups; cool, poetic atmosphere."}

Audio Atmosphere: {"recitation_mood":"lyrical, serene","suggested_raga":"Madhyamāvati","pace":"medium","voice_tone":"soft, flowing"}

C
Classical Sanskrit Literature
P
Purāṇic Geography
V
Vaishnavism (textual corpus tag)
E
Environmental Imagery

FAQs

It exemplifies a Purāṇic mode of sacred-geographic description where natural features (lakes, lotuses, birds, bees) and human habitation are depicted together, preserving a cultural memory of idealized landscapes and settlement aesthetics in Sanskrit narrative literature.

No single named site is explicitly identified in this verse; it uses a comparative landmark—Mount Kailāsa—to convey the grandeur of the riverside/shoreline setting. The precise location must be inferred from the surrounding verses of Adhyāya 69 in the specific edition.

Rather than a direct injunction, the verse communicates an implicit philosophical instruction: a harmonious relationship between human communities and biodiverse water ecosystems, presented as a valued cultural-heritage landscape.

Ask anything about this verse

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