Varaha Purana 5.13: Adhyaya 5, Shloka 13
Reconciliation of Action and Knowledge: Offering All Acts to Nārāyaṇa and the Hymn to the Yajña-Puruṣa
रैभ्य आङ्गिरसो राजा वसुश्चोपाविवेश ह । उपविष्टेषु राजेन्द्र तेषु तेष्वपि सोऽब्रवीत् ॥ ५.१३ ॥
raibhya āṅgiraso rājā vasuś copāviveśa ha | upaviṣṭeṣu rājendra teṣu teṣv api so ’bravīt || 5.13 ||
Raja Raibhya, keturunan Aṅgiras, dan Vasu pun duduk. Setelah para raja itu duduk, wahai raja segala raja, maka ia pun berbicara kepada mereka juga.
Varāha (default narrative-speaker framework; explicit speaker not stated in this fragment)
Varaha Avatara Context: {"is_varaha_focus":false}
Bhu Devi Dialogue: {"is_dialogue":false}
Mathura Mandala: {"is_mathura_related":false}
Dharma Shastra: {"has_dharma_rule":false}
Vrata Mahatmya: {"has_vrata":false}
Cosmic Boar Symbolism: {"has_symbolism":false}
Philosophical Teaching: {"has_teaching":true,"teaching_type":"pedagogical framing","core_concept":"Adhikāra and maryādā: instruction is delivered in a properly constituted assembly with attentive listeners.","practical_application":"Before teaching/counsel, establish order, attention, and respectful posture among participants."}
Subject Matter: ["Courtly Narrative","Genealogy","Dialogue Framing","Political Culture"]
Primary Rasa: śānta
Secondary Rasa: vīra
Type: sabha/royal court
Related Themes: VP 5.5.14-16 (question on karma/mokṣa and Bṛhaspati’s reply)
Visual Art Cues: {"scene_description":"Raibhya (Āṅgirasa lineage) and King Vasu sit in an assembly; after all are seated, the speaker begins addressing them.","item_prompts":["two kings seated on low thrones or cushions","attendants with fly-whisks","ordered rows of seated nobles","gesture of the speaker beginning discourse","inscribed genealogical emphasis (Āṅgirasa) via iconographic sage-symbols"],"kerala_mural_prompt":"Kerala mural: symmetrical sabhā composition, seated kings with stylized ornaments; speaker poised to speak; rhythmic repetition of seated figures.","tanjore_prompt":"Tanjore: gilded thrones, rich textiles; kings seated frontally; speaker slightly turned, hand in teaching gesture.","mysore_prompt":"Mysore: elegant court interior, nuanced facial expressions of attention; restrained ornamentation and clarity of narrative moment.","pahari_prompt":"Pahari: intimate assembly with simplified architecture; emphasis on seated posture and the moment just before speech."}
Audio Atmosphere: {"recitation_mood":"formal narrative transition","suggested_raga":"Bilāval","pace":"medium","voice_tone":"steady, declarative"}
FAQs
It preserves a conventional Purāṇic court-assembly setting and genealogical identification (e.g., “Āṅgirasa”), which helps situate the narrative within broader Sanskrit traditions of royal lineages and formal discourse.
No geographic location is named in this verse; it focuses on the seating of figures in an assembly and the initiation of speech.
The verse primarily functions as narrative staging; its implicit philosophical instruction concerns orderly deliberation—formal seating and respectful address as prerequisites for instruction or counsel.
Ask anything about this verse
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
A free Google sign-in keeps your chat saved across web and the app.
Read Varaha Purana in the Vedapath app
Scan the QR code to open this directly in the app, with word-by-word meanings, Sanskrit recitation where available, and more.