HomeVaraha PuranaAdhyaya 38Shloka 27
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Varaha Purana 38.27: Adhyaya 38, Shloka 27

The Hunter’s Austerity and the Gaining of Durvāsas’ Favor

तस्य पादौ स्वयं देवी क्षालयन्ती सरिद्वरा । जगाम ह्रादिनी भूत्वा व्याधाश्रमसमीपतः ॥ ३८.२७ ॥

Sanskrit recitationVaraha Purana 38.27

tasya pādau svayaṃ devī kṣālayantī saridvarā | jagāma hrādinī bhūtvā vyādhāśramasamīpataḥ || 38.27 ||

Sungai yang terunggul itu—sang Dewi sendiri—membasuh kaki beliau dengan tangannya sendiri. Kemudian, menjadi sungai Hrādinī, beliau pergi ke sekitar pertapaan si pemburu.

tasyaof him
tasya:
Sambandha (सम्बन्ध)
TypeNoun
Roottad (प्रातिपदिक)
FormSarvanāma (सर्वनाम), Puṃliṅga (पुंलिङ्ग) (context), Ṣaṣṭhī-vibhakti (6th/षष्ठी), Ekavacana (singular)
pādau(two) feet
pādau:
Karma (कर्म)
TypeNoun
Rootpāda (प्रातिपदिक)
FormPuṃliṅga (पुंलिङ्ग), Dvitīyā-vibhakti (2nd/द्वितीया), Dvivacana (dual)
svayamherself
svayam:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootsvayam (अव्यय)
FormSvārtha-avyaya (स्वार्थ: “oneself/by oneself”)
devīthe goddess
devī:
Karta (कर्ता)
TypeNoun
Rootdevī (प्रातिपदिक)
FormStrīliṅga (स्त्रीलिङ्ग), Prathamā-vibhakti (1st/प्रथमा), Ekavacana (singular)
kṣālayantīwashing
kṣālayantī:
Karta (कर्ता)
TypeVerb
Rootkṣāl (धातु)
FormŚatṛ-pratyaya (शतृ, present active participle), Strīliṅga, Prathamā, Ekavacana; kartari: “washing”
sarid-varāthe best river (river-goddess)
sarid-varā:
Karta (कर्ता)
TypeNoun
Rootsarit (प्रातिपदिक) + vara (प्रातिपदिक)
FormStrīliṅga (स्त्रीलिङ्ग), Prathamā-vibhakti (1st/प्रथमा), Ekavacana (singular); ṣaṣṭhī-tatpuruṣa: “best of rivers”
jagāmawent
jagāma:
Kriyā (क्रिया)
TypeVerb
Rootgam (धातु)
FormLiṭ-lakāra (लिट्, perfect), Parasmaipada (परस्मैपद), Prathama-puruṣa (3rd person), Ekavacana (singular)
hrādinīa lake/pond (one that delights; here: a pool)
hrādinī:
Karta (कर्ता)
TypeNoun
Roothrādinī (प्रातिपदिक)
FormStrīliṅga (स्त्रीलिङ्ग), Prathamā-vibhakti (1st/प्रथमा), Ekavacana (singular); predicate-noun with bhūtvā
bhūtvāhaving become
bhūtvā:
Kriyā (क्रिया)
TypeVerb
Rootbhū (धातु)
FormKtvā-pratyaya (क्त्वा, absolutive/gerund): “having become”
vyādha-āśrama-samīpataḥfrom near the hunter’s hermitage
vyādha-āśrama-samīpataḥ:
Apādāna (अपादान)
TypeIndeclinable
Rootvyādha (प्रातिपदिक) + āśrama (प्रातिपदिक) + samīpa (प्रातिपदिक) + tas (प्रत्यय)
FormAvyayībhāva (अव्ययीभाव) with ablative sense; samīpatas (समीपतस्) = “from near”; whole: “from near the hunter’s hermitage”

Varāha

Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Earth’s river-goddess personally serves the sage: Devikā washes Durvāsā’s feet and then manifests as Hrādinī, relocating near the hunter’s āśrama."}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"Devikā / Hrādinī near the hunter’s hermitage"}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Honoring ascetics through pāda-prakṣālana (washing feet) is a high form of hospitality and reverence.","karmic_consequence":"Such ṛṣi-satkāra yields great puṇya and purification; disrespect to a vowed sage invites demerit and potential curse-motifs (implied by Durvāsā lore)."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"bhakti-dharma","core_concept":"True greatness expresses itself as service: even a ‘saridvarā’ becomes a servant to dharma embodied in a ṛṣi.","practical_application":"Practice atithi/ṛṣi-sevā (offer water, wash feet, provide clean space); treat natural forces as sacred participants in ethical life."}

Subject Matter: ["Geography","Heritage Sites","Ecological Narratives"]

Primary Rasa: adbhuta

Secondary Rasa: bhakti

Type: āśrama-side river / tīrtha

Related Themes: 38.38.28 (Durvāsā performs washing/ācāmana and eats with faith)

Visual Art Cues: {"scene_description":"Devikā, personified as a goddess, kneels to wash Durvāsā’s feet; afterward she flows away as the river Hrādinī toward the hunter’s hermitage.","item_prompts":["goddess washing a sage’s feet","water basin/stream at feet","Durvāsā’s ascetic marks (matted hair, staff, kamaṇḍalu)","river transforming and flowing onward","hunter’s hermitage in background"],"kerala_mural_prompt":"Kerala mural: richly ornamented Devikā performing pāda-sevā to Durvāsā, then a stylized ribbon-river labeled Hrādinī curving toward an āśrama hut.","tanjore_prompt":"Tanjore: gold-highlighted Devikā with jeweled crown washing feet, Durvāsā with halo, ornate water motifs transitioning into a flowing Hrādinī stream.","mysore_prompt":"Mysore: elegant, devotional composition emphasizing humility of the devī and serenity of the sage; soft river transition to the āśrama.","pahari_prompt":"Pahari: intimate scene by a small stream, Devikā as a gentle woman washing feet, then the stream winding to a rustic hermitage under trees."}

Audio Atmosphere: {"recitation_mood":"reverent wonder","suggested_raga":"Shuddha Saveri","pace":"medium-slow","voice_tone":"warm, devotional, with emphasis on ‘svayaṃ devī’"}

C
Classical Literature
P
Purāṇic Narrative
A
Ancient Geography
R
River Cultures

FAQs

It preserves a Purāṇic motif in which a river is personified as a goddess who performs an act of service, reflecting the cultural history of river veneration and tīrtha-oriented sacred geography in early Sanskrit literature.

The verse names the river Hrādinī and places the event near a vyādha-āśrama (hunter’s hermitage). A precise modern identification is not possible from this fragment alone without corroborating manuscript context or regional tīrtha lists.

The passage emphasizes humility and respectful service toward a worthy figure, expressed through the symbolic act of washing the feet, alongside an implicit valuation of rivers as culturally protected and morally significant landscapes.

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