HomeVaraha PuranaAdhyaya 37Shloka 14
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Varaha Purana 37.14: Adhyaya 37, Shloka 14

The Threefold Discipline (Mental, Physical, Verbal) and the Salvific Power of Hearing Nārāyaṇa’s Name

ब्राह्मणानां सहस्राणि सस्त्रीणामयुतानि च । निहतानि मया ब्रह्मन् निहतौ च कुटम्बिनौ ॥ ३७.१४ ॥

Sanskrit recitationVaraha Purana 37.14

brāhmaṇānāṁ sahasrāṇi sastrīṇām ayutāni ca | nihatāni mayā brahman nihatau ca kuṭambinau || 37.14 ||

“Thousands of brāhmaṇas and tens of thousands of those bearing weapons have been slain by me, O Brahmin; and the two householders have also been killed.”

brāhmaṇānāmof Brahmins
brāhmaṇānām:
Sambandha (सम्बन्ध/Of)
TypeNoun
Rootbrāhmaṇa (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/Genitive), बहुवचन (Plural)
sahasrāṇithousands
sahasrāṇi:
Karma (कर्म/Object)
TypeNoun
Rootsahasra (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (Nom/Acc), बहुवचन; संख्यावाचक (numeral used substantively)
sa-strīṇāmtogether with women / of women (included)
sa-strīṇām:
Sambandha (सम्बन्ध/Association)
TypeNoun
Rootsa (उपसर्ग/पूर्वपद) + strī (प्रातिपदिक)
Formअव्ययीभाव-समास (with women); स्त्री-प्रातिपदिक, षष्ठी, बहुवचन
ayutānitens of thousands
ayutāni:
Karma (कर्म/Object)
TypeNoun
Rootayuta (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, बहुवचन; संख्यावाचक
caand
ca:
Samuccaya (समुच्चय/Connector)
TypeIndeclinable
Rootca (अव्यय)
Formअव्यय; समुच्चय (conjunction)
nihatānikilled
nihatāni:
Kriyā (क्रिया)
TypeVerb
Rootni√han (धातु)
Formक्त-प्रत्ययान्त (Past passive participle), नपुंसकलिङ्ग, प्रथमा/द्वितीया, बहुवचन; कर्मणि भाव (killed)
mayāby me
mayā:
Kartr̥ (कर्ता/Agent in passive)
TypeNoun
Rootasmad (सर्वनाम-प्रातिपदिक)
Formउत्तमपुरुष-सर्वनाम, तृतीया (3rd/Instrumental), एकवचन
brahmanO Brahmin
brahman:
Sambodhana (संबोधन)
TypeNoun
Rootbrahman (प्रातिपदिक)
Formनपुंसकलिङ्ग, सम्बोधन, एकवचन
nihatau(the two) were killed
nihatau:
Kriyā (क्रिया)
TypeVerb
Rootni√han (धातु)
Formक्त-प्रत्ययान्त (Past passive participle), पुंलिङ्ग, प्रथमा द्विवचन (Dual)
caand
ca:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootca (अव्यय)
Formअव्यय; समुच्चय (conjunction)
kuṭambinauthe two householders (husband and wife)
kuṭambinau:
Karta (कर्ता/Subject)
TypeNoun
Rootkuṭambin (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (Nominative), द्विवचन (Dual)

Varāha (default speaker assignment; explicit speaker not provided in excerpt)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"topic":"prayaschitta","instruction_summary":"Even mass violence (including brahmin-killing) is treated as grave sin requiring confession, remorse, and expiatory discipline under a qualified guide.","karmic_consequence":"Unexpiated brahmahatyā and himsā lead to severe demerit, social/religious exclusion, and hellish fruition; sincere prāyaścitta aims at purification and restoration of dharmic standing."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ethics_of_action","core_concept":"Karma is intensified by the status of the harmed (brāhmaṇa) and by scale; acknowledgement of wrongdoing is the first step toward purification.","practical_application":"Cultivate ahiṃsā and restraint; if harm is done, do not rationalize—seek guidance, undertake expiation, and adopt protective conduct going forward."}

Subject Matter: ["Ethics","Dharma discourse","Consequences of violence"]

Primary Rasa: karuna

Secondary Rasa: bhayanaka

Related Themes: Varāha Purāṇa 37.37.15-18 (request for instruction; ensuing test narrative at the river)

Visual Art Cues: {"scene_description":"A remorseful killer confesses before a brāhmaṇa: heaps of fallen figures implied, the speaker’s burden visible in posture and gesture.","item_prompts":["penitent figure with folded hands","brāhmaṇa listener with staff/waterpot","suggested battlefield aftermath in distance","somber palette"],"kerala_mural_prompt":"Kerala mural style: frontal brāhmaṇa with calm face, penitent figure in añjali, muted reds/ochres, minimal background indicating moral gravity.","tanjore_prompt":"Tanjore style: central brāhmaṇa with halo, penitent at lower side, gold-leaf accents on garments and ornaments, symbolic rather than gory depiction.","mysore_prompt":"Mysore style: delicate linework, restrained emotion, riverbank hinted faintly, emphasis on facial remorse and ethical tension.","pahari_prompt":"Pahari style: intimate counseling scene under open sky, soft hills, expressive eyes, minimal figures with narrative captions implied."}

Audio Atmosphere: {"recitation_mood":"grave-confessional","suggested_raga":"Bhairavi","pace":"slow","voice_tone":"low, weighty, penitential"}

C
Classical Literature
P
Purāṇic Narrative
D
Dharma Ethics
S
Sanskrit Philology

FAQs

It reflects a common Purāṇic narrative motif: enumeration of killings as a rhetorical device to frame ethical inquiry, culpability, or the need for expiation within classical Sanskrit literature.

No geographic location is named in this verse fragment; it focuses on persons/groups and the act of killing rather than sacred geography.

The verse foregrounds accountability for violence by explicitly stating the scale and categories of those killed, preparing the ground for ethical evaluation (e.g., responsibility, remorse, or expiatory frameworks) in the surrounding dialogue.

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