HomeVaraha PuranaAdhyaya 24Shloka 13
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Varaha Purana 24.13: Adhyaya 24, Shloka 13

The Birth of the Nāgas, Brahmā’s Curse, and the Pañcamī Observance

अहन्यहनि ये देव पश्येयुरुरगादृशा । मनुष्यपशुरूपं वा तत्सर्वं भस्मसाद् भवेत् ॥ २४.१३ ॥

Sanskrit recitationVaraha Purana 24.13

ahany ahani ye deva paśyeyur uragādṛśā | manuṣyapaśurūpaṃ vā tat sarvaṃ bhasmasād bhavet || 24.13 ||

Wahai Deva, apa sahaja yang mereka pandang hari demi hari dengan tatapan seperti ular—sama ada berwujud manusia atau binatang—semuanya akan menjadi abu.

अहनिin a day
अहनि:
कालाधिकरण (Temporal locus)
TypeNoun
Rootअहन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति (7th/सप्तमी), एकवचन; Locative singular; used adverbially
अहनिday by day
अहनि:
कालाधिकरण (Temporal locus)
TypeNoun
Rootअहन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति (7th/सप्तमी), एकवचन; repetition for distributive sense
येwho (those who)
ये:
कर्ता (Karta/Subject)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (1st/प्रथमा), बहुवचन; Relative pronoun, Nominative plural
देवO god
देव:
सम्बोधन (Address/Vocative)
TypeNoun
Rootदेव (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन-विभक्ति (Vocative/सम्बोधन), एकवचन
पश्येयुःmight see / would see
पश्येयुः:
क्रिया (Verb/Action)
TypeVerb
Rootदृश् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd person), बहुवचन; Parasmaipada
उरगादृशाःsnake-looking beings
उरगादृशाः:
कर्ता (Karta/Subject; apposition to ये)
TypeNoun
Rootउरग + दृश्/दृशा (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (1st/प्रथमा), बहुवचन; समास: तत्पुरुष (‘snake-like in appearance/eyes’)
मनुष्यपशुरूपम्a human-and-animal form
मनुष्यपशुरूपम्:
कर्म (Karma/Object of पश्येयुः)
TypeNoun
Rootमनुष्य + पशु + रूप (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (2nd/द्वितीया), एकवचन; समास: द्वन्द्व (मनुष्य+पशु) as qualifier to रूप (‘human-and-animal form’)
वाor
वा:
सम्बन्ध (Particle)
TypeIndeclinable
Rootवा (अव्यय)
Formअव्यय; विकल्पार्थक-निपात (disjunctive particle)
तत्that
तत्:
कर्ता (Karta/Subject)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति (1st/प्रथमा), एकवचन; Demonstrative pronoun
सर्वम्all (of it)
सर्वम्:
विशेषण (Adjectival qualifier)
TypeAdjective
Rootसर्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति (1st/प्रथमा), एकवचन; agrees with तत्
भस्मसात्to ashes, into ash-state
भस्मसात्:
क्रियाविशेषण (Result state)
TypeIndeclinable
Rootभस्मसात् (अव्यय)
Formअव्यय; क्रियाविशेषण (resultative adverb)
भवेत्would become
भवेत्:
क्रिया (Verb/Result)
TypeVerb
Rootभू (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd person), एकवचन; Parasmaipada

Varāha (default speaker framework; explicit attribution not present in excerpt)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The 'serpent-gaze' that turns beings to ashes evokes destructive dr̥ṣṭi as a metaphor for adharma’s corrosive perception; cosmic order requires a countervailing divine sight (anugraha-dṛṣṭi) that preserves.","vedantic_connection":"Dṛṣṭi as power: when aligned with tamas it annihilates; when aligned with īśvara it sustains. The verse dramatizes the need for sattvic governance of power."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ethical psychology","core_concept":"Perception (dṛṣṭi) is not neutral; hostile, distorted vision becomes destructive to life and order.","practical_application":"Guard one’s own 'gaze' (intent, attention) and seek protective disciplines (mantra, devotion, righteous conduct) against harmful influences."}

Subject Matter: ["Ethics","Ritual Conduct","Protective/Apotropaic Motifs"]

Primary Rasa: bhayānaka

Secondary Rasa: raudra

Type: mythic-cosmic (general)

Related Themes: Varāha Purāṇa: motifs of destructive beings and the need for divine intervention

Visual Art Cues: {"scene_description":"Serpent-eyed beings casting a scorching gaze; humans and animals threatened, with ash and smoke motifs; a protective divine presence implied off-scene or as a counter-light.","item_prompts":["serpent-like eyes or hooded silhouettes","beam-like gaze turning forms to ash","humans and animals in peril","swirling ash/smoke","protective light at edge of frame"],"kerala_mural_prompt":"Kerala mural: dramatic side-panel of nāga-gaze as stylized rays, ash motifs, strong narrative contrast with a calm protective aura nearby.","tanjore_prompt":"Tanjore: high-contrast menace with gilded protective halo element, ash rendered as patterned texture, figures frozen mid-transformation.","mysore_prompt":"Mysore: refined depiction of fear and motion, subtle smoke gradients, emphasis on narrative clarity over horror.","pahari_prompt":"Pahari: expressive, storybook-like transformation scene, serpents as symbolic dark forms, ash clouds in soft washes."}

Audio Atmosphere: {"recitation_mood":"ominous-warning","suggested_raga":"Todi","pace":"medium-fast","voice_tone":"grave, cautionary, slightly forceful"}

C
Classical Literature
P
Purāṇic Studies
V
Vaiṣṇavism
S
Sanskrit Philology

FAQs

It reflects a common Purāṇic rhetorical style where moral caution and protective imagery (e.g., destructive or harmful “gaze”) are used to frame conduct and consequences within a sacred narrative setting.

No explicit geographic toponym appears in this isolated verse; any location-based identification would depend on the surrounding Adhyāya 24 context (often associated in manuscripts with tīrtha or māhātmya material).

The verse cautions against a harmful or hostile mode of looking/intent (“serpent-like gaze”), presenting it as leading to destructive outcomes—an ethical warning framed through vivid consequence imagery.

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