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Varaha Purana 198.63: Adhyaya 198, Shloka 63

Description of the Torments within the Cycle of Rebirth: Hymn to Yama and the Introduction to Citragupta’s Administration

भोजनेषु च सर्वेषु स्त्रियः कान्ता मनोहराः ॥ गृहीतकुम्भमणिकाः सर्वाभरणभूषिताः

Sanskrit recitationVaraha Purana 198.63

bhojaneṣu ca sarveṣu striyaḥ kāntā manoharāḥ || gṛhītakumbhamaṇikāḥ sarvābharaṇabhūṣitāḥ

Pada setiap jamuan, para wanita yang jelita dan menawan—memegang kendi air serta permata—berdiri berhias dengan segala jenis perhiasan.

भोजनेषुin the meals/banquets
भोजनेषु:
अधिकरण (Adhikaraṇa/Location)
TypeNoun
Rootभोजन (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/सप्तमी), बहुवचन — Locative plural
and
:
समुच्चय (Conjunction)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
सर्वेषुin all
सर्वेषु:
विशेषण (Adjectival qualifier)
TypeAdjective
Rootसर्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/सप्तमी), बहुवचन — agreeing with भोजनेषु
स्त्रियःwomen
स्त्रियः:
कर्ता (Karta/Subject)
TypeNoun
Rootस्त्री (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/प्रथमा), बहुवचन — Nominative plural
कान्ताःlovely, beloved
कान्ताः:
विशेषण (Adjectival qualifier)
TypeAdjective
Rootकान्त (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन — agreeing with स्त्रियः
मनोहराःcharming
मनोहराः:
विशेषण (Adjectival qualifier)
TypeAdjective
Rootमनोहर (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन — agreeing with स्त्रियः
गृहीतकुम्भमणिकाःholding pots and gem-like vessels
गृहीतकुम्भमणिकाः:
विशेषण (Adjectival qualifier)
TypeAdjective
Rootगृहीत + कुम्भ + मणिका (प्रातिपदिक; components: गृहीत(कृदन्त) + कुम्भ + मणिका)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन — agreeing with स्त्रियः; समासः (तत्पुरुष/कर्मधारय-प्राय): ‘having taken/holding pot-and-gem(-like vessels)’; गृहीत = √ग्रह् + क्त (PPP)
सर्वाभरणभूषिताःadorned with all ornaments
सर्वाभरणभूषिताः:
विशेषण (Adjectival qualifier)
TypeAdjective
Rootसर्व + आभरण + भूषित (प्रातिपदिक; भूषित = √भूष् (धातु) + क्त)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन — agreeing with स्त्रियः; तत्पुरुष-समास (‘adorned with all ornaments’); भूषित = past passive participle

Varāha (default narrative voice for the excerpted description)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ethical-aesthetic integration","core_concept":"Puṇya is portrayed not only as survival but as cultured harmony—beauty, order, and attentive service.","practical_application":"Cultivate sattvic hospitality and generosity that dignifies guests; let prosperity express itself as service, not indulgence."}

Subject Matter: ["Cultural History (hospitality and ornamentation)","Afterlife Imagery","Aesthetics"]

Primary Rasa: śṛṅgāra

Secondary Rasa: adbhuta

Type: assembly/feast setting

Related Themes: Varāha Purāṇa 198.69–74 (sequence of feast/service imagery linked to merit)

Visual Art Cues: {"scene_description":"A grand feast where charming women, richly ornamented, stand as attendants holding water-jars and jewels, enhancing the sense of auspicious hospitality.","item_prompts":["banquet setting with multiple dining arrangements","women attendants holding kumbha (water-jars)","visible maṇi (jewels) in hands or trays","full ornaments: necklaces, earrings, armlets","soft lamps, textiles, festive ambiance"],"kerala_mural_prompt":"Kerala mural: stylized attendants in profile with elaborate jewelry, kumbhas with patterned bands, rhythmic repetition of figures around a feast pavilion.","tanjore_prompt":"Tanjore: heavy gold on ornaments and vessels, jewel inlays emphasized, symmetrical attendant pairs flanking a feast scene.","mysore_prompt":"Mysore: refined facial expressions, intricate jewelry detailing, gentle interior lighting, elegant textiles.","pahari_prompt":"Pahari: delicate attendants with minimal but vivid ornament cues, architectural balcony/terrace, lyrical festive mood."}

Audio Atmosphere: {"recitation_mood":"festive yet composed, descriptive","suggested_raga":"Khamaj","pace":"medium","voice_tone":"warm, narrative, lightly ornamented diction"}

C
Classical Literature
P
Purāṇic Narrative
M
Material Culture
G
Gendered Courtly Imagery

FAQs

It documents ideals of hospitality and aesthetic abundance, preserving vocabulary for ornaments and service in classical Sanskrit narrative settings.

No geographic location is specified.

Indirectly, it supports the theme that generosity and cultivated hospitality are associated with auspicious outcomes in the text’s moral universe.

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