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Varaha Purana 144.68: Adhyaya 144, Shloka 68

The Māhātmya of Someśvara and Related Liṅgas: The Liberation-Field of Triveṇī and the Śālagrāma Sacred Landscape

सालङ्कायनकोऽप्याशु क्षेत्रे तस्मिन्परं मम ॥ शालग्रামে महातीव्रमास्थितं परमं तपः ॥

Sanskrit recitationVaraha Purana 144.68

sālaṅkāyanako 'py āśu kṣetre tasmin paraṃ mama || śālagrāme mahātīvram āsthitaṃ paramaṃ tapaḥ ||

Dan Sālaṅkāyana juga, dengan segera, di wilayah suci-Ku yang tertinggi itu, di Śālagrāma, menempuh tapa yang paling utama—amat keras dan sangat tegas.

सालङ्कायनकःSālaṅkāyanaka (a sage/person)
सालङ्कायनकः:
Karta (कर्ता)
TypeNoun
Rootसालङ्कायनक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा विभक्ति (Nominative/1st), एकवचन
अपिalso
अपि:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootअपि (अव्यय)
Formअव्यय; निपात (also/even)
आशुquickly
आशु:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootआशु (अव्यय)
Formअव्यय; क्रियाविशेषण (adverb: quickly)
क्षेत्रेin the sacred place/field
क्षेत्रे:
Adhikarana (अधिकरण)
TypeNoun
Rootक्षेत्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी विभक्ति (Locative/7th), एकवचन; स्थान
तस्मिन्in that
तस्मिन्:
Adhikarana (अधिकरण)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुं/नपुंसक, सप्तमी विभक्ति (Locative/7th), एकवचन; क्षेत्रे इति विशेषण
परम्supreme
परम्:
Karma (कर्म)
TypeAdjective
Rootपर (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया/प्रथमा, एकवचन; (अर्थतः ‘श्रेष्ठम्’) तपः इति विशेषण
ममmy
मम:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी विभक्ति (Genitive/6th), एकवचन; सम्बन्ध
शालग्रামেat Śālagrāma
शालग्रামে:
Adhikarana (अधिकरण)
TypeNoun
Rootशालग्राम (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी विभक्ति (Locative/7th), एकवचन; स्थान
महाvery/greatly
महा:
Sambandha (सम्बन्ध)
TypeAdjective
Rootमहत् (प्रातिपदिक)
Formअव्ययवत्-पूर्वपद (indeclinable-like prefix), समासपूर्वपद; ‘great’—तीव्रम् इति विशेषण
तीव्रम्intense
तीव्रम्:
Karma (कर्म)
TypeAdjective
Rootतीव्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया/प्रथमा, एकवचन; तपः इति विशेषण
आस्थितम्undertaken
आस्थितम्:
Kriya (क्रिया)
TypeVerb
Rootआ + स्था (धातु)
Formक्त-प्रत्ययान्त (past participle), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; ‘undertaken/performed’
परमम्highest
परमम्:
Karma (कर्म)
TypeAdjective
Rootपरम (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; तपः इति विशेषण
तपःausterity/penance
तपः:
Karta (कर्ता)
TypeNoun
Rootतपस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा विभक्ति (Nominative/1st), एकवचन

Varāha

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"curious; contemplative about exemplars of tapas tied to place"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"Śālagrāma (sacred region/tīrtha)"}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"tapas and saṅkalpa discipline","core_concept":"Spiritual attainment is accelerated when intense inner resolve (tapas) is anchored in a sanctified locus (kṣetra).","practical_application":"Choose a disciplined practice (japa, vrata, meditation) and sustain it with steadiness; if possible, undertake it in a sacred environment to support focus."}

Subject Matter: ["Heritage Sites","Ethics","Geography"]

Primary Rasa: vira

Secondary Rasa: shanta

Type: sacred region/tīrtha; ascetic seat

Related Themes: Varāha Purāṇa 144.76–77 (the fruit/intention of the tapas and divine response)

Visual Art Cues: {"scene_description":"The sage Sālaṅkāyana performs fierce austerities at Śālagrāma within a revered kṣetra, suggesting a charged, quiet ascetic landscape.","item_prompts":["ascetic seated in meditation","matted hair (jaṭā), deer-skin or bark garment","riverbank/stone setting suggestive of Śālagrāma","prayer beads or fire of austerity (symbolic aura)","minimal hermitage elements"],"kerala_mural_prompt":"Kerala mural style: ascetic with stylized features, seated in padmāsana; subdued greens and ochres; sacred stones and water motif indicating Śālagrāma; aura of tapas as warm halo.","tanjore_prompt":"Tanjore style: ascetic centered with ornamental frame; gold-leaf halo to signify tapas-tejas; Śālagrāma stones rendered as dark, polished forms near water.","mysore_prompt":"Mysore style: serene, detailed forest-hermitage; soft chiaroscuro; emphasize stillness and inner heat through gentle glow.","pahari_prompt":"Pahari style: quiet Himalayan-like landscape; small hermitage; ascetic in profile; delicate trees and river, emphasizing solitude."}

Audio Atmosphere: {"recitation_mood":"austere, contemplative","suggested_raga":"Todi","pace":"slow","voice_tone":"grave, steady, with weight on ‘महातीव्रम्… तपः’"}

C
Classical Literature
P
Purāṇic Studies
A
Ascetic Traditions
C
Cultural Heritage

FAQs

It situates an ascetic figure within a named sacred landscape, illustrating how Purāṇic geography is reinforced by exemplary narratives of tapas.

Śālagrāma is named explicitly; the term can denote a specific locality and/or a broader sacred region depending on recension and regional tradition.

Endurance and disciplined effort (tapas) are presented as exemplary virtues, especially when undertaken with focus in a designated sacred environment.

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