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Varaha Purana 144.64: Adhyaya 144, Shloka 64

The Māhātmya of Someśvara and Related Liṅgas: The Liberation-Field of Triveṇī and the Śālagrāma Sacred Landscape

रावणेन प्रकटिता जलधारा अतिपुण्यदा॥ बाणगङ्गेति विख्याता या स्नाता चाघहारिणी॥

Sanskrit recitationVaraha Purana 144.64

rāvaṇena prakaṭitā jaladhārā atipuṇyadā || bāṇagaṅgeti vikhyātā yā snātā cāghahāriṇī ||

Aliran air yang dimanifestasikan oleh Rāvaṇa ini sangat menganugerahkan pahala suci. Ia terkenal sebagai “Bāṇa-Gaṅgā”; dan sesiapa yang mandi di dalamnya dikatakan menghapuskan dosa.

rāvaṇenaby Rāvaṇa
rāvaṇena:
Karana (करण)
TypeNoun
Rootrāvaṇa (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Instrumental (3rd/तृतीया), Singular (एकवचन)
prakaṭitāmanifested; brought forth
prakaṭitā:
Kriya (क्रियाविशेषण/विशेषण)
TypeVerb
Rootpra√kaṭ (धातु)
FormPast passive participle (क्त/भूतकर्मणि कृदन्त), Feminine (स्त्रीलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)
jaladhārāstream of water
jaladhārā:
Karta (कर्ता)
TypeNoun
Rootjala-dhārā (प्रातिपदिक)
FormTatpuruṣa (तत्पुरुष) ‘jalasya dhārā’; Feminine (स्त्रीलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)
ati-puṇya-dābestowing great merit
ati-puṇya-dā:
Karta (कर्ता)
TypeAdjective
Rootati (अव्यय) + puṇya (प्रातिपदिक) + dā (प्रातिपदिक)
FormTatpuruṣa (तत्पुरुष) with intensifier: ‘atiśayena puṇyaṁ dadāti’; Feminine (स्त्रीलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)
bāṇa-gaṅgāBāṇa-Gaṅgā (name of the stream)
bāṇa-gaṅgā:
Karta (कर्ता)
TypeNoun
Rootbāṇa (प्रातिपदिक) + gaṅgā (प्रातिपदिक)
FormTatpuruṣa (तत्पुरुष) proper name; Feminine (स्त्रीलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)
itithus; called
iti:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootiti (अव्यय)
FormQuotative particle (इति-निपात) marking name/quotation
vikhyātāwell-known; famed
vikhyātā:
Kriya (क्रियाविशेषण/विशेषण)
TypeVerb
Rootvi√khyā (धातु)
FormPast passive participle (क्त), Feminine (स्त्रीलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)
which; she that
:
Karta (कर्ता)
TypeNoun
Rootyad (सर्वनाम-प्रातिपदिक)
FormRelative pronoun (यद्), Feminine (स्त्रीलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)
snātā(in which one has) bathed
snātā:
Kriya (क्रियाविशेषण/विशेषण)
TypeVerb
Root√snā (धातु)
FormPast passive participle (क्त) used adjectivally ‘bathed (in)’; Feminine (स्त्रीलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction (समुच्चय-निपात) ‘and’
agha-hāriṇīremover of sin
agha-hāriṇī:
Karta (कर्ता)
TypeAdjective
Rootagha (प्रातिपदिक) + hāriṇī (√hṛ धातु, णिनि-प्रत्यय/प्रातिपदिक)
FormTatpuruṣa (तत्पुरुष) ‘aghaṁ harati’; Feminine (स्त्रीलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)

Sūta (narrative voice) (defaulted; verse is descriptive and etiological)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"observer"}

Mathura Mandala: {"is_mathura_related":true,"specific_site":"Bāṇa-Gaṅgā (stream)","parikrama_context":"Functions as a snāna-tīrtha likely visited/remembered along regional pilgrimage circuits; verse frames it as an etiological stop with sin-removing efficacy.","krishna_connection":"Indirect: Mathurā-region waters are later sacralized in Kṛṣṇa-bhakti; tīrtha-snānāt pāpa-kṣaya supports the devotional landscape that Kṛṣṇa-līlā inherits."}

Dharma Shastra: {"has_dharma_rule":true,"topic":"prayaschitta","instruction_summary":"Bathing (snāna) in the Bāṇa-Gaṅgā tīrtha is prescribed as a sin-removing purificatory act.","karmic_consequence":"Observance yields pāpa-kṣaya and puṇya-vṛddhi; neglect forfeits an accessible means of purification (no explicit penalty stated)."}

Vrata Mahatmya: {"has_vrata":false,"promised_fruit":"Exceptional merit (atipuṇyadā) and removal of wrongdoing through tīrtha-snāna (tīrtha-phala rather than a named vrata)."}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ritual purification and moral restoration","core_concept":"Water as a carrier of tīrtha-śakti: physical immersion symbolizes and effects moral cleansing when aligned with faith and right intention.","practical_application":"Undertake snāna with saṅकल्प (resolve) for self-correction; pair external bathing with inner repentance and renewed dharmic conduct."}

Subject Matter: ["Geography","Heritage Sites","Sacred Hydrology"]

Primary Rasa: shanta

Secondary Rasa: adbhuta

Type: tīrtha / sacred stream

Related Themes: Varāha Purāṇa Mathurā-māhātmya tīrtha-catalogues describing snāna-phala and site-origin stories

Visual Art Cues: {"scene_description":"A clear sacred stream emerging/flowing as a manifested watercourse attributed to Rāvaṇa, with pilgrims bathing and the atmosphere of purification.","item_prompts":["stream labeled Bāṇa-Gaṅgā","Rāvaṇa as etiological figure (in background, tapas or act of manifestation)","pilgrims performing snāna","water-lotus motifs","sense of sanctity (aura, small shrine)"],"kerala_mural_prompt":"Kerala mural: stylized river band with lotus, devotees in snāna, Rāvaṇa shown as powerful ascetic-king in the background, rich greens and gold borders.","tanjore_prompt":"Tanjore: gold-highlighted water ripples, small shrine by the bank, devotees bathing, Rāvaṇa depicted with regal ornaments, embossed ‘tīrtha’ aura.","mysore_prompt":"Mysore: naturalistic stream with gentle light, devotional bathing scene, subtle depiction of Rāvaṇa’s role as originator.","pahari_prompt":"Pahari: delicate riverscape with hills/trees, small figures bathing, narrative vignette of Rāvaṇa revealing the stream."}

Audio Atmosphere: {"recitation_mood":"calm, tīrtha-praise","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"warm, descriptive, with emphasis on ‘atipuṇyadā’ and ‘aghahāriṇī’"}

C
Classical Literature
A
Ancient Geography
P
Pilgrimage Studies
H
Hydro-Heritage

FAQs

It preserves an etiological account (origin-story) for a named water source, valuable for correlating Purāṇic hydrology with regional pilgrimage landscapes.

Bāṇa-Gaṅgā is named; its precise modern identification varies by region and later tradition, and requires local-textual correlation beyond this excerpt.

The verse promotes purification through regulated engagement with a water source, framing water as a locus of cultural heritage and moral reflection.

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