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Varaha Purana 137.55: Adhyaya 137, Shloka 55

The Tale of the Vulture and the She-Jackal: The Māhātmya of the Saukarava Sacred Field

ततः सा सुन्दरी भूषां समुत्तार्य शुभेक्षणा ॥ मह्यं निवेदयामास प्रोवाच च जनेश्वरम्

Sanskrit recitationVaraha Purana 137.55

tataḥ sā sundarī bhūṣāṃ samuttārya śubhekṣaṇā || mahyaṃ nivedayāmāsa provāca ca janeśvaram

Kemudian wanita yang jelita itu, bermata membawa pertanda baik, mengangkat perhiasan tersebut, mempersembahkannya kepadaku, lalu berkata kepada penguasa manusia (raja).

tataḥthen
tataḥ:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Roottatas (अव्यय-प्रातिपदिक)
FormAvyaya, adverb (क्रियाविशेषण)
she
:
Karta (कर्ता)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormPronoun, Feminine, Nominative (प्रथमा 1), Singular (एकवचन)
sundarīthe beautiful woman
sundarī:
Karta (कर्ता)
TypeNoun
Rootsundarī (प्रातिपदिक)
FormFeminine, Nominative (प्रथमा 1), Singular (एकवचन); appositional to sā
bhūṣāmornament/adornment
bhūṣām:
Karma (कर्म)
TypeNoun
Rootbhūṣā (प्रातिपदिक)
FormFeminine, Accusative (द्वितीया 2), Singular (एकवचन)
samuttāryahaving removed/taken off
samuttārya:
Kriya (क्रिया)
TypeVerb
Rootsam-ut-√tṝ (धातु)
FormAbsolutive/Gerund (क्त्वा/ल्यप्), 'having lifted up/removed'
śubha-īkṣaṇāhaving auspicious eyes / fair-looking
śubha-īkṣaṇā:
Karta (कर्ता)
TypeAdjective
Rootśubha + īkṣaṇa (प्रातिपदिक)
FormKarmadhāraya compound; Feminine, Nominative (प्रथमा 1), Singular (एकवचन); qualifying sā/sundarī
mahyamto me
mahyam:
Sampradāna (सम्प्रदान)
TypeNoun
Rootasmad (सर्वनाम-प्रातिपदिक)
FormPronoun, Dative (चतुर्थी 4), Singular (एकवचन)
nivedayāmāsareported/presented
nivedayāmāsa:
Kriya (क्रिया)
TypeVerb
Rootni-√vid (धातु)
FormLiṭ (लिट्, perfect), Parasmaipada, 3rd person (प्रथमपुरुष), Singular (एकवचन); causative-like stem nivedaya- in usage 'reported/presented'
provācasaid/spoke
provāca:
Kriya (क्रिया)
TypeVerb
Rootpra-√vac (धातु)
FormLiṭ (लिट्, perfect), Parasmaipada, 3rd person, Singular
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya, conjunction
jana-īśvaramthe lord of people/king
jana-īśvaram:
Karma (कर्म)
TypeNoun
Rootjana + īśvara (प्रातिपदिक)
FormTatpuruṣa compound; Masculine, Accusative (द्वितीया 2), Singular (एकवचन)

Varāha (default speaker framework; explicit speaker not stated in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"observer","bhu_devi_state":"attentive; witnessing a courtly exchange","key_question":"What counsel or petition is being delivered to the king through this offering?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ethics of offering and speech","core_concept":"Dāna/arpana and respectful address to authority as social dharma; objects can mediate petitions and truth-telling.","practical_application":"Offer gifts with clean intent and speak truthfully yet respectfully in assemblies; let material offerings support righteous counsel."}

Subject Matter: ["Ethics","Heritage Sites"]

Primary Rasa: śṛṅgāra

Secondary Rasa: adbhuta

Type: courtly space

Related Themes: Narrative episodes in Varāha Purāṇa where gifts/ornaments trigger dharma instruction or royal decisions (generic internal pattern)

Visual Art Cues: {"scene_description":"A beautiful woman with auspicious eyes lifts a jeweled ornament and offers it toward the narrator/recipient; she then turns to address the king seated on a throne with attendants.","item_prompts":["woman holding ornament (necklace/armlet)","king on throne","court attendants","gesture of offering","jewelry sparkle","palace pillars/curtains"],"kerala_mural_prompt":"Kerala mural: stylized palace interior, elongated eyes, ornate jewelry; the woman mid-gesture offering the ornament, king in regal posture, saturated colors.","tanjore_prompt":"Tanjore: heavy gold-leaf emphasis on jewelry and throne, rich brocade costumes, frontal iconic composition with court symmetry.","mysore_prompt":"Mysore: elegant court painting, fine shading on faces, detailed textiles; subtle narrative moment of offering and speech.","pahari_prompt":"Pahari: lyrical palace scene with delicate lines, expressive faces, patterned carpets; the ornament rendered as a bright focal point."}

Audio Atmosphere: {"recitation_mood":"narrative, poised","suggested_raga":"Khamaj","pace":"medium","voice_tone":"storytelling clarity with gentle emphasis on action verbs (‘samuttārya…nivedayāmāsa…provāca’)"}

C
Classical Literature
N
Narratology
P
Purāṇic Dialogue
C
Courtly Culture

FAQs

It preserves formulaic narrative markers (presentation and address to a king), helpful for identifying embedded story structures and social roles in Purāṇic storytelling.

No geographic marker appears in this line; it is a narrative transition.

Implicitly, it models orderly communication and formal presentation to authority figures, a common courtly-normative trope in Sanskrit narrative.

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