पञ्चमं प्रहरो यत्र षष्ठमारण्यकं तथा । निधनं सप्तमं साम्नां सप्तसिद्धिमिति स्मृतम्
pañcamaṃ praharo yatra ṣaṣṭhamāraṇyakaṃ tathā | nidhanaṃ saptamaṃ sāmnāṃ saptasiddhimiti smṛtam
Dalam rangkaian itu, yang kelima dinamai “Prahara”, yang keenam “Āraṇyaka”, dan yang ketujuh “Nidhana” di antara nyanyian Sāman—ini dikenang sebagai “saptasiddhi”, yakni pencapaian tujuh lipat.
Skanda (deduced from Prabhāsakṣetramāhātmya dialogue style)
Tirtha: Prabhāsa-kṣetra
Type: kshetra
Listener: Devī
Scene: A schematic-like sacred diagram of seven stages of sāman accomplishment, with the teacher pointing to each named segment; forest (āraṇyaka) imagery blending into a ritual hall, ending in a quiet ‘nidhana’ closure.
Vedic sound (Sāman) is presented as a structured, sanctifying practice whose perfected form leads to ‘siddhi’ (spiritual accomplishment).
Prabhāsa-kṣetra, praised in the Prabhāsakṣetramāhātmya section of the Skanda Purāṇa.
A classification of Sāman portions (including prahara, āraṇyaka, nidhana) as part of a sevenfold sacred scheme used for disciplined japa/recitation.